Imagen
[2017]
A la pàgina web de l'editor: "Pinaka argues that in porno-graphing, artists negotiate how subjectivity, and its value, is produced by self-submitting into the ‘dirtiness’ of sexual and artistic positions. To approach the ‘dirtiness’ of these works as well as their processes, Pinaka uses, amongst other theories and strategies, the notion of ‘queer negativity’. AnnaMaria Pinaka was educated as a video artist, and developed her thesis in the department of Theatre, Drama and Performance at Roehampton University. Her research is practice-based; it involves creative work in performance and image-making alongside theoretical reflection derived from gender studies, queer theory and visual studies.
Broadly speaking, Pinaka’s focus is sexualised representation, and the development of a visual language that borrows in part from the rhetorics of pornography, but which also relates to the visual arts that focus on the intimacy of private life, the lived ordinary, the ecstasies of the everyday, lack of spectacularisation and the aesthetics of banality".

Fitxa tècnica

Pertany a:
Otros
Crèdit:
Col·lecció MACBA. Centre d'Estudis i Documentació
Publicació/Producció:
[Eindhoven] : Onomatopee, [2017]
ISBN/ISSN:
9,78949E+12
Col·lecció:
Onomatopee ; 153.1
Dimensions/Durada:
Dimensions: 21 x 14,7
Idioma:
Anglès
Tipus de material:
Monografia
Número de registre:
A13015
Topogràfic:
Opuscle Arxiu_P_0757