Dora García's work revolves round the idea of audience participation. Viewers are urged to take sides on controversial ethical questions, analyse these questions closely and reflect on the institutional nature of the surroundings where they come into contact with works of art. García's work was included in Münster Sculpture Projects 2007, the Spanish Pavilion at the 54th Venice Biennale , 2011, and at documenta 13, Kassel 2012.

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The blood of sensibility is blue / I consecrate myself / To find its most perfect expression.
Derek Jarman