El MACBA, junto con el Consorcio de Lisboa, con sede en la Universidad Católica de Portugal, y el Departamento de Arte y Estudios Culturales de la Universidad de Copenhague, forma parte del proyecto Culture@Work, que se está desarrollando desde 2013 en los tres países y que lleva a cabo actividades públicas de diversa índole.

Este proyector tiene por objeto: profundizar en perspectivas transnacionales sobre la formación basada en la práctica de alto nivel de los profesionales del sector cultural mediante la promoción de un intercambio intelectual y artístico con artistas consagrados y emergentes; fortalecer la transferencia de conocimientos entre el sur, el centro y el norte de Europa, con el fin de reflejar un enfoque europeo diverso y a la vez coherente para el estudio de la cultura; implementar una plataforma sostenible para el diálogo intersectorial, promoviendo la organización transnacional de residencias artísticas en las instituciones de educación superior y organizando talleres de formación académica en las instituciones culturales asociadas, para aumentar y mejorar las relaciones de trabajo e interuniversitarias existentes.

Como actividad de clausura del proyecto, el MACBA organiza un seminario internacional centrado en la investigación artística que contará con la participación de la Universitat Pompeu Fabra y la Universitat de Barcelona.

Colaboradora: Universitat de Barcelona. Grup de recerca Art, Globalització, Interculturalitat / AGI.

An entire range of activities loosely connected around academic, cultural and political platforms emerge as a powerful thread that challenges the actual institutional map. A new division of labor appears as a consequence of these transformations leading to an increasing circulation of critical practices. Beyond established university departments and cultural institutions, nowadays research demands an innovative model of organization that should be able to exploit collective and heterogeneous agents. Although most of these cross-disciplinary initiatives have been contemplated as being strategic and transitional, they deserve closer examination before they wither away or else get inscribed as new wings of old institutions.

This workshop will focus on the mutating nature of critical practices in as much as they traverse institutions of all kinds as well as non-institutional spaces. The questions arising will tackle the paradoxes that riddle the economy of these practices –sometimes considered marginal and experimental– as they become integrated in the neoliberal framework. Their rapid assimilation raises doubts as to whether alternative and critical positions can be maintained at all. Location, temporality and genealogy are to be considered key features of those practices which are contingently referred as research, teaching, curating and activism. Thus, there is an urgent demand to identify the different forms of knowledge and capital that flow productively, simultaneously creating alliances and interrupting mutual instrumentalisation.

The conference is the second of two gatherings organized by the Culture@Work network, a joint European project aimed at gauging how contemporary culture is put to work in new contexts. The network is founded by the School of Human Sciences at the Catholic University of Portugal (The Lisbon Consortium) in collaboration with the Barcelona Museum of Contemporary Art (MACBA) and the Department of Arts and Cultural Studies at the University of Copenhagen, Denmark. The Barcelona workshop is co-organized by MACBA and Universitat de Barcelona (UB) Art, Globalization, Interculturality / AGI Research group

The workshop is co-funded by the Culture programme of the European Union.
For more information on the Culture@Work project visit




Friday April 24th , from 17 to 20h.
Venue. AULA MAGNA, Universitat de Barcelona. 4th floor.
Carrer Montalegre 6, 08001 Barcelona

17h. OPENING SESSION. Welcome by Prof. Anna Maria Guasch. Presentation by Carles Guerra
17:30h. Joana Masó. Space harder. Derrida's claim of (un)saturable
18,15h. Nanna Bonde Thylstrup. The politics of archival assemblages
19h. Panel with Joana Masó and Nanna Bonde Thylstrup. Moderated by Carles Guerra

Saturday April 25th from 10 to 13h. Panels

Venue: MACBA.

Panel 1. Venue MACBA. Aula 0
Performing Spaces

10h. Alexandra Balona. Not all who wander are lost. Benjamin Verdonck's work: from the black box, to the public space, and back again.
10:20h. Ana Dinger. Fish tanks and greenhouses: investigating the architecture of experience.
10:40h. Sarawut Chutiwongpeti. Wishes, Lies and Dreams
11h. Inês Sampaio and Joana Hortas. Are music concerts and institutions all about the music?
11:20h. Questions and discussion moderated by Prof. Anna Maria Guasch

Panel 2. Venue MACBA. Meier Auditorium
Performing Circulation

10h. Ana Cachola. Flagging Critical Practices: The Portuguese flag in contemporary art.
10:20h. Joana Mayer Duarte. De-Colonising Next Future
10:40h. Lydie Delahaye. The inherent artistic potential of archive
11h. Elisa Decet. Transgression
11:20h. Questions and discussion moderated by Carles Guerra

Panel 3. Venue MACBA. Convent dels Àngels Auditorium
Performing Critique

10h.Sofia Lemos. Dusting oneself: the anatomy of research.
10.20h. Dina Campos Lopes. Damned if you do. Damned if you don’t. I Do
10:40h. Toni Hildebrandt. Illegibility and/or Invisibility: Notes on the Grounds of Inscription
11h. Nina Vurdelja. Autonomous cultural spaces in the conditions of postsocial industrial heritage.
11:20h. Canan Marasligil (Writer in residence in Copenhagen): City in Translation - An exploration of Copenhagen through its languages.
11:40h. Questions and discussion moderated by Daniela Agostinho

13h. Lunch break

Saturday April 25th from 16,30h to 19h.
Venue. MACBA. Meier Auditorium

16:30h. Concluding assembly
17:30h. Eyal Weizman. Forensic architecture: ongoing investigations

Joana Masó is a lecturer on French Studies at the Universitat de Barcelona and a researcher at the UNESCO Chair on Women, Development and Culture at the UB. She has translated French authors from the second half of the twentieth century such as Hélène Cixous, Jacques Derrida, Catherine Malabou and Jean-Luc Nancy, and is interested in their relation to art. She is co-editor of the writings on Jacques Derrida, Artes de lo visible (1979-2004), Writings on the Arts of Visibility (1979-2004), and recently his essays on architecture and urban space, Jacques Derrida: Les arts de l’espace. Écrits et interventions sur l’architecture.

Nanna Bonde Thylstrup is working on the politics of mass digitization, with a special focus on cultural memory, territorializations and infrastructures as well as human rights perspectives on information assemblages. She has a particular interest in the effects of privatization and commercialization.

Eyal Weizman is an architect, professor of spatial and visual cultures and director of the Centre for Research Architecture at Goldsmiths, University of London. Since 2014 he is a global professor at Princeton University. In 2011 he set up Forensic Architecture, a research agency that provides architectural evidence for violations of international law and human rights. In 2007 he set up, with Sandi Hilal and Alessandro Petti, the architectural collective DAAR in Beit Sahour/Palestine. He has worked with a variety of NGOs world wide and was member of B'Tselem board of directors.

Más información:
Entrar en un museo es algo que empieza en casa, en un avión, en un tuit
Mark Wigley