Imagen

Peter Watkins (Norbiton, United Kingdom, 1935) gained critical recognition in the sixties as a result of the scandal arising from the BBC’s boycott against his film The War Game. Nevertheless, although he continued to produce a series of essential, radical works that did not fit within conventional film or adhere to the timing standards of mainstream cinema, his films where no longer mentioned or taken into account as key works in debates on political commitment and the cinematic image. Peter Watkins’s last work, La commune (1999) represents, among many other things, a curious rereading of the relationship between film and the discourses of history, by means of the rupture of the illusion of representation through the blurring of the boundary that usually separates actors from the characters they play.

In Spring 2010, the MACBA presented a retrospective on Peter Watkins, which reviews his contribution to contemporary film and, in particular, his status as a pioneer of docudrama and false documentary.

Technical details

Publication date:
2010
Author:
Collection:
Quaderns portàtils
Support:
Pages:
14
Editorial category:
Quaderns portàtils
Design:

Design by Cosmic

Editions:
Eng 1886-5259
The artist has to face the unknown with a positive mood and sink his teeth in without fear.
Eduardo Chillida