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In this text, Maite Garbayo-Maeztu seeks to think some of the first performances taking place in the 1970s in Spain, along with occupations of the street by feminist activism at the time. Artists like Dorothèe Selz, Fina Miralles, Àngels Ribé and Olga L. Pijoan would use veils, occultations and alterations that invited viewers to go beyond visuality.

Technical details

Año de publicación:
2019
Autor:
Colección:
Quaderns portàtils
Soportes:
Páginas:
26
Línea editorial:
Quaderns portàtils
Ediciones:
Spa 1886-5259

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The problem becomes clear, crystal clear: the artist’s canvas becomes a mirror.
Michelangelo Pistoletto