Rafah: Black Friday (European Pléiades satellite image at 11.39 a.m.), Forensic Architecture, 2015
In recent years the little-known research group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. While providing crucial evidence for international courts and working with a wide range of activist groups, NGOs, Amnesty International and the UN, Forensic Architecture has not only shed new light on human rights violations and state crimes across the globe, it has also given rise to a new form of investigative practice, to which it has given its name. The group uses architecture as a methodological device with which to investigate armed conflicts and environmental destruction, and to cross-reference multiple other evidence sources such as new media, remote sensing, material investigation and witness testimony. This exhibition introduces the practice, outlining its origins, history, assumptions, potential and double binds. With these investigations and the critical texts that accompany them, Forensic Architecture examines how public truth is produced, technologically, architecturally and aesthetically; how it can be used to confront state propaganda and secrets; and how to expose newer forms of state violence.
Exhibition by: Forensic Architecture
Director: Eyal Weizman
Curator: Rosario Güiraldes
Exhibition conceptualization: Eyal Weizman, Rosario Güiraldes, Anselm Franke, Christina Varvia
Forensic Architecture Exhibition team: Rosario Guiraldes (coordinator), Christina Varvia, Samaneh Moafi, Ariel Caine, Hana Rizvanolli
Graphic Design: Other Means
The exhibition is co-produced by MACBA with the Museo Universitario Arte Contemporáneo (MUAC), Mexico City.
With the support of the Culture Programme of the European Union
Baltasar Garzón in conversation with Yolanda Álvarez and Manuel Vergara, with the participation of Rosario Güiraldes and Eyal Weizman (Forensic Architecture)
Forensic Architecture. Towards an Investigative Aesthetics