WEDNESDAY 11 ABRIL, 5 pm
Venue: Meier Auditorium. Access for people with reduced mobility through the Meier building (museum reception)5 pm Reading of fragments from the diary of Rosemarie Castoro. Barbara Held, flutist and composer of experimental music.
5.10 pmPresentation of the seminar. Pablo Martínez, Head of Programmes at MACBA.
5.15 pmNarrate in Abstract. Estrella de Diego, curator and lecturer on Contemporary Art at the Universidad Complutense de Madrid (UCM).
“Sophie was not only a ballerina and a professor, but above all a modern abstract painter at a time when abstract painting was taking its first steps”, wrote Hans Richter in his recollections of Sophie Taeuber-Arp. In this way, a lucid query was opened up in relation to the creative paths of certain women, who throughout the 20th century have opted for abstract narrative, contravening what the hegemonic gaze had excepted of them. For many women, the “non-figurative” (including when associated to certain forms of a concrete or minimalist nature) has a political charge, where the body is understood implicitly as subversive or overflowing. Can (and should) there be a non-figurative discourse drawing from the body as a critical discourse against minimalism and from minimalism? Can such a discourse widen and fine-tune the very idea of repetition and its meanings? By moving along a path running from Taeuber herself to Clark and Benglis, and featuring Feliza Bursztyn and Lidy Prati, the proposal presented will seek to review these new ways of narrating in abstract.
6.15 pmProjection of the filmManual of Arms (1966), by Hollis Frampton
6.45 pm Break
7 pmReading of fragments of Rosemarie Castoro’s text Sharp Changes, by Barbara Held
7.15 pmRosemarie Castoro 1964–1979: An Obstacle Course for Dancers? Tanya Barson, MACBA’s Chief Curator and curator of the exhibition Rosemarie Castoro: Focus at Infinity. Lecture in English with simultaneous interpretation.
This presentation will explore the work of Rosemarie Castoro from the period 1964-1979 in depth, and consider how it relates to her direct milieu, formed by visual artists, performers and choreographers who congregated in New York in the 1960s and 1970s. It will also explore the relationship of Castoro’s work to minimalism, conceptualism and post-minimalism, and, indeed, will seek to make specific comparisons to the work of a broader range of artists working in experimental ways during the same era. In this way, the lecture will aim to contextualise Castoro’s work in a deeper and more developed way.
8.15 pmReading of fragments of Rosemarie Castoro’s diary, by Barbara Held
8.30 pmProjection of the filmArtificial Light(1969), by Hollis Frampton