Allan Sekula was born in Erie, Pennsylvania, in 1959, and was based in Los Angeles from 1985 until his death in 2013. He began his adult life in the years of protest against the Vietnam War, studying Marxists thinkers such as Herbert Marcuse, and went on to revitalise the American tradition of documentary photography and social criticism as an artist and a theorist. He began making installations but gradually shifted towards photography and text essays, which allow him to analyse capitalist logic in a global world and the traffic of human beings for the purpose of labour. His strong commitment to production and how it shapes our bodies and the way we live has led him to photograph the employees of large factories and shipping companies.
Part of his work has focused on the sea as a forgotten space, in which the international trade of the big multinationals plays out the savage logic of capital.
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Archive: Access to Knowledge/Power and Alternatives to Exhibitions
The Traffic in Photographs
Son[i]a #119 Allan Sekula
27.01.2011
A single image can bear witness to the past and anticipate a foreseeable future.
Ignasi Aballí