This work questions the basic elements society uses to maintain public order. Eulàlia reveals all the forms of control implicit not only in the media, the family and schools, but also in the institutions that can legitimately exert that control, such as the police, the army and certain aspects of technology, through explicit violent means.
The objects are intended to have the objective character of industrial products. They are not intended to represent anything other than what they are. The previous categorization of the arts no longer exists.