Imagen
[2017]
A la pàgina web de l'editor: "Pinaka argues that in porno-graphing, artists negotiate how subjectivity, and its value, is produced by self-submitting into the ‘dirtiness’ of sexual and artistic positions. To approach the ‘dirtiness’ of these works as well as their processes, Pinaka uses, amongst other theories and strategies, the notion of ‘queer negativity’. AnnaMaria Pinaka was educated as a video artist, and developed her thesis in the department of Theatre, Drama and Performance at Roehampton University. Her research is practice-based; it involves creative work in performance and image-making alongside theoretical reflection derived from gender studies, queer theory and visual studies.
Broadly speaking, Pinaka’s focus is sexualised representation, and the development of a visual language that borrows in part from the rhetorics of pornography, but which also relates to the visual arts that focus on the intimacy of private life, the lived ordinary, the ecstasies of the everyday, lack of spectacularisation and the aesthetics of banality".

Ficha técnica

Pertenece a:
Otros
Crédito:
Col·lecció MACBA. Centre d'Estudis i Documentació
Publicación/Producción:
[Eindhoven] : Onomatopee, [2017]
ISBN/ISSN:
9,78949E+12
Colección:
Onomatopee ; 153.1
Dimensiones/Duración:
Dimensions: 21 x 14,7
Idioma:
Inglés
Tipo de material:
Monografía
Número de registro:
A13015
Topográfico:
Opuscle Arxiu_P_0757