SON[I]A #244 Laura Mulvey

Laura Mulvey

31 jul. 2017
Conferencias y Debates

In this SON[I]A, Laura Mulvey contextualises, updates, and elucidates on the far-reaching impact of this key text, which she revised in later essays such as “Death 24 x a Second. Stillness and the moving image”. At the same time, she opens up the debate with the notions of the “queer gaze” and the “universal whiteness” of Hollywood. Mulvey also defends orality as a form of "history from below", citing the example of “compilation films” (films that use archival footage re-written with new narrative) as a space for a new feminist film practice.

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