An acute and critical observer of the political and cultural environment, Peter Friedl turns his hand to painting, text, photography, video and film, sculpture, installation, and book projects. This catalogue also includes a more personal and lesser-known side of his work: his drawings. Drawing that involves process and note-taking, registering things that happened elsewhere, and that is also connected to another of the artist's main concerns: education and childhood learning.























Peter Friedl: Work 1964-2006
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Peter Friedl was born in Oberneukirchen, Austria, in 1960, and currently lives and works in Berlin. Since the early nineties, he has been building up a heterogeneous body of work (photography, painting, video, drawing, text) with a strong component of social and political critique. Friedl draws attention to the conflicts between contemporary politics and aesthetic narrative. He often turns to genres (tableaux vivant, documents) and subject matter (childhood, social exclusion) that are undervalued in the modern artistic tradition, and uses displacement and overexposure to challenge accepted systems of representation. Friedl pushes the boundaries of genres and codes for purposes that are clearly critical. He is best known for the photographic works he produced in South Africa, Haiti, Brazil and other places that were the scenes of Europe’s colonial past, and for his work based on American philosopher John Rawls’ theory of justice. He has published numerous essays and critical texts on theatre and aesthetics.
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