Andrea Fraser (Montana, USA, 1965) is not only one of the main exponents of institutional critique in contemporary art, but probably the first person to use this term in print.
De la crítica institucional a la institución de la crítica is a kind of retrospective featuring theoretical essays, public elocutions and descriptions of artistic actions by Fraser. The publication addresses the variety of tactics and concepts used by the artist in her analysis of the conditions of cultural autonomy and the aesthetics of art.
