4898_001_rgb--imatge-esquer
4898_001_rgb--imatge-esquer
Joan Brossa
Esquer
Bait
1988
With visual poetry we go back to ideograms, which are the origin of writing. But visual poetry has followed a process in my work. I began to say things through language, which is very important, but it came a time when I adopted an anti-rhetoric formula, trying to focus on reality but with a minimum of adjectives, because I’m interested in the head, not the wig. This led me to a detailed description of the object, and that’s only one step away from visual poetry. It was not a gratuitous decision, it was an ongoing process: I went from paper as a support to the object as a support, and finally to the object itself. In any case, everything happened from the inside out. I’ve never set out to make puzzles; everything I do comes from intuitive knowledge. But in the end, isn’t the shock produced by your visual poems or object poems sometimes close to the absurd? I don’t think they’re absurd, no more than life in any case. Everything we’re saying is absurd; if you frame it, it’s absurd, but if you remove the frame, it’s life. You’ve always been at the forefront of what is normally known as the avant-garde, since Dau al Set to the present. And yet you refuse to be called an avant-garde artist. That’s because avant-garde sounds very military. [With irony, he explains further.] I don’t consider myself avant-garde, but of the moment. But, of course, so many people are rearguard that if you’re of the moment, then you’re avant-garde. That’s why the word irritates me. [He gives an example.] If someone else has a crystal set and yours is a transistor radio, you’re considered avant-garde, but being electronic simply means being up to date, doesn’t it? Macià, Albert: ‘Joan Brossa’, Avui (Barcelona), 27 December 1989
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The texts of the MACBA web draw on previous documentation. Please let us know if you find any errors.
original title
Esquer
year of acquisition
2011
type of object
Object
dimensions
Urna 9.5 x 29 x 15.9 cm
Copyright
© Fundació Joan Brossa, VEGAP, Barcelona
registration number
R.4898
date
1988
fonds
MACBA Collection. MACBA Consortium
media
Bread coated with resin and metal on wood
credits
MACBA Collection. MACBA Consortium. Joan Brossa Fund. Long-term loan of Fundació Joan Brossa
images
1 images
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