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Antoni Tàpies
Als mestres de Catalunya
To the Catalan Masters
1974
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Recognised as one of the great renovators of Informalism, Antoni Tàpies began in Surrealism, evolving early on towards a spiritual abstraction marked by experimentation with different pictorial textures and the incorporation of symbols and signs on the canvas. Since then, his work has been constructed as a true material and symbolic investigation, guided by the conviction that nature, matter, science, spirituality and mysticism are a whole. Among his usual signs, the cross, the X and the letter T stand out. With the title Crosses, X's and other contradictions, in 1994, he himself explained the following: "The images of the cross and crosses, of opposing lines and planes, of the intersections of opposing forces, etc., in many cultures are considered a fundamental symbolic representation of the world". (Antoni Tàpies, Crosses, X's and other contradictions, 1994).
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The texts of the MACBA web draw on previous documentation. Please let us know if you find any errors.
original title
Als mestres de Catalunya
registration number
R.4626
date
1974
fonds
MACBA Collection. MACBA Consortium
media
Lithography on paper
edition number
H.C.
Copyright
© Tàpies Comission, VEGAP, Barcelona
translated title
To the Catalan Masters
year of acquisition
2011
type of object
Graphic material
dimensions
99.5 x 69.7 cm
credits
MACBA Collection. MACBA Consortium. Joan Brossa Fund. Long-term loan of Barcelona City Council
original title
Als mestres de Catalunya
translated title
To the Catalan Masters
registration number
R.4626
date
1974
year of acquisition
2011
fonds
MACBA Collection. MACBA Consortium
type of object
Graphic material
media
Lithography on paper
dimensions
99.5 x 69.7 cm
edition number
H.C.
credits
MACBA Collection. MACBA Consortium. Joan Brossa Fund. Long-term loan of Barcelona City Council
Copyright
© Tàpies Comission, VEGAP, Barcelona

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