Silueta dempeus
Standing Silhouette
1987
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Recognised as one of the great renovators of Informalism, Antoni Tàpies began in Surrealism, evolving early on towards a spiritual abstraction marked by experimentation with different pictorial textures and the incorporation of symbols and signs on the canvas. Since then, his work has been constructed as a true material and symbolic investigation, guided by the conviction that nature, matter, science, spirituality and mysticism are a whole. Among his usual signs, the cross, the X and the letter T stand out. With the title Crosses, X's and other contradictions, in 1994, he himself explained the following: "The images of the cross and crosses, of opposing lines and planes, of the intersections of opposing forces, etc., in many cultures are considered a fundamental symbolic representation of the world". (Antoni Tàpies, Crosses, X's and other contradictions, 1994).

The texts of the MACBA web draw on previous documentation. Please let us know if you find any errors.
original title
Silueta dempeus
registration number
R.1939
date
1987
fonds
MACBA Collection. MACBA Foundation
media
Oil and graphite pencil on lining kraft paper
credits
MACBA Collection. MACBA Foundation. Telefónica Art Collection
translated title
Standing Silhouette
year of acquisition
2002
type of object
Painting
dimensions
113.5 x 147.5 cm
Copyright
© Tàpies Comission, VEGAP, Barcelona
original title
Silueta dempeus
translated title
Standing Silhouette
registration number
R.1939
date
1987
year of acquisition
2002
fonds
MACBA Collection. MACBA Foundation
type of object
Painting
media
Oil and graphite pencil on lining kraft paper
dimensions
113.5 x 147.5 cm
credits
MACBA Collection. MACBA Foundation. Telefónica Art Collection
Copyright
© Tàpies Comission, VEGAP, Barcelona
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