0089_001_pub--imatge-0089_001_pubtiff
0089_001_pub--imatge-0089_001_pubtiff
Tonet Amorós

Omnipotents Omnipresents

Omnipotent Omnipresent
1991
On display
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Spirituality and science, the cyclical state of nature and the transformation of life, cycles that fade and return. Tonet Amorós takes the notion of the larva as a metaphor for all living things. In his installation of larval forms, a central lead body filled with paraffin is heated in 37-minute cycles. As it cools, the scent of paraffin spreads through the space, in a synesthetic gesture that adds an olfactory register to the visual one. Arranged in concentric ovals around it are some 160 paraffin larvae: their number corresponds to the melting point of waxy solids in degrees Fahrenheit. The red carpet adds a religious or sacral dimension to an installation where the notion of time is fundamental, both in the sense of biological change—the passage from one state to another—and in the religious sense—the passage from darkness to light.

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The texts of the MACBA web draw on previous documentation. Please let us know if you find any errors.
original title
Omnipotents Omnipresents
registration number
R.0089
date
1991
fonds
MACBA Collection. MACBA Foundation
media
Various materials
credits
MACBA Collection. MACBA Foundation
translated title
Omnipotent Omnipresent
year of acquisition
1992
type of object
Installation
dimensions
23 x 200 x 257 cm (total)
Copyright
© Tonet Amorós
original title
Omnipotents Omnipresents
translated title
Omnipotent Omnipresent
registration number
R.0089
date
1991
year of acquisition
1992
fonds
MACBA Collection. MACBA Foundation
type of object
Installation
media
Various materials
dimensions
23 x 200 x 257 cm (total)
credits
MACBA Collection. MACBA Foundation
Copyright
© Tonet Amorós
OBRA TITLE
OBRA TITLE
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ARTIST NAME
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