Imagen

MACBA re-examines a critical period in the work of Joan Rabascall, which is nonetheless largely unknown to the Catalan public. These works (collages, assemblages, photographs, superpositions) are an invitation to delve into some of his central concerns: the omnipresence of communication, the instrumentalisation of language by the powers that be, the stereotyped image of women, the growing militarisation of society, the transformative power of tourism, and the gradual computerisation of forms of knowledge.


Images

Selection from the catalogue 'Rabascall. Production 1964–82', pages 16 and 17
Selection from the catalogue 'Rabascall. Production 1964–82', pages 36 and 37
Selection from the catalogue 'Rabascall. Production 1964–82', pages 48 and 49
Selection from the catalogue 'Rabascall. Production 1964–82', pages 54 and 55
Selection from the catalogue 'Rabascall. Production 1964–82', pages 58 and 59
Selection from the catalogue 'Rabascall. Production 1964–82', pages 60 and 61
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 66 and 67
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 72 and 73
Selection from the catalogue 'Rabascall. Production 1964–82', pages 74 and 75
Selection from the catalogue 'Rabascall. Production 1964–82', pages 80 and 81
Selection from the catalogue 'Rabascall. Production 1964–82', pages 100 and 101
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 110 and 111
Selection from the catalogue 'Rabascall. Production 1964–82', pages 130 and 131
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 132 and 133
Selection from the catalogue 'Rabascall. Production 1964–82', pages 140 and 141
Selection from the catalogue 'Rabascall. Production 1964–82', pages 16 and 17
Selection from the catalogue 'Rabascall. Production 1964–82', pages 36 and 37
Selection from the catalogue 'Rabascall. Production 1964–82', pages 48 and 49
Selection from the catalogue 'Rabascall. Production 1964–82', pages 54 and 55
Selection from the catalogue 'Rabascall. Production 1964–82', pages 58 and 59
Selection from the catalogue 'Rabascall. Production 1964–82', pages 60 and 61
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 66 and 67
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 72 and 73
Selection from the catalogue 'Rabascall. Production 1964–82', pages 74 and 75
Selection from the catalogue 'Rabascall. Production 1964–82', pages 80 and 81
Selection from the catalogue 'Rabascall. Production 1964–82', pages 100 and 101
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 110 and 111
Selection from the catalogue 'Rabascall. Production 1964–82', pages 130 and 131
 Selection from the catalogue 'Rabascall. Production 1964–82', pages 132 and 133
Selection from the catalogue 'Rabascall. Production 1964–82', pages 140 and 141

Related

Artists

Works

Audios

Visita guiada a càrrec de Joan Rabascall i Bartomeu Marí, director del MACBA i comissari de l'exposició, per als Amics del MACBA
Son[i]a #73 Bartomeu Marí about "Rabascall, Production 1964-1982"
05.02.2009
Blue protects white from innocence. Blue drags black with it. Blue is darkness made visible.
Derek Jarman