#04 Natascha Sadr Haghighian. De paso

Two commonplace objects, in themselves of little eloquence, are used to multiply the ways of interpreting questions such as the development of material culture, the ownership of water or the status of sound in a conception of contemporary art, in which sight and touch are always at the forefront.

The scene presented by Natascha Sadr Haghighian should be understood as a suggestion we reflect on the history of the production and consumption of objects, on the importance of this history in that of ideas, of culture, and on the way in which objects represent what we might call little hells in the civilised world.