Exhibition
From November 21, 2024 to March 9, 2025

Teresa Solar Abboud. Bird Machine Dream

finished
"Tuneladoras", 2024. Courtesy of the artist. Photo: Pablo Gómez Ogando. © Teresa Solar Abboud, VEGAP, Madrid

The resistance of language and the morphology of speech are two characteristics of the work of Teresa Solar Abboud (Madrid, 1985). Her work is based on a continuous search for multiple concepts presented as enormous sculptural installations that, in recent years, have become more complex through forms related to resistance, hollowness, the body and bone structure. The artist began using drawing and video as her fundamental work tools, but over time her production has come to focus on sculpture, exploring new materials with which she articulates forms that refer to elements related to the organic and lead to a world of metaphors that hint at the flow of currents, voids and the connectivity between orifices and gaps. 

Museo CA2M and MACBA were the initiators of this solo exhibition of the work of Teresa Solar Abboud.. Curated by Tania Pardo – Director of Museo CA2M – and Claudia Segura Campins – Head of Collections at MACBA –, the exhibition alludes to the relationship with matter, language and bodily production through a museography that varies, changes and expands in a very different way in each of the three participating venues. 

The first presentation of the project starts at Museo CA2M, understood as a ‘space of contraction’., then travelling to MACBA, where the incorporation of new works changes the curatorial framework turning it into a ‘space of dilation’. In the first of these two chapters, titled Machine Dream Bird, emphasis is be placed on two large installations that condense Solar’s research in recent years. In the second presentation, here at MACBA entitled Bird Machine Dream, different moments of the artist’s career are juxtaposed, from her beginnings with videographic experimentation, through the first sculptural attempts with ceramics and soft-form attempts with other materials, until reaching her own language with large immersive sculptures. 

Combining recent and early works, sculpture will be reinforced by the inclusion of the practice of drawing, which will help to reflect upon and organise the perception and experience of the origins of each form, and other ideas that orbit them. 

Bird Machine Dream, immerses us in the journey of an artistic practice that since its beginnings has asked the same questions about the encounter between space and time, appealing to a contemporary, fragmentary and constantly moving subject. 

After its presentation at  MACBA, the exhibition will travel to the Fondazione Sandretto Re Rebaudengo, Turin, where it will be curated by Irene Calderoni, It is an exhibition that mutates in each venue, exploring other forms of complicity between institutions, with the artist’s practice adapting to the space in which it is located. 

Teresa Solar Abboud’s work is part of the Collections of Museo CA2M and MACBA.

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dates
From November 21, 2024 to March 9, 2025
documents
title
Teresa Solar Abboud. Bird Machine Dream
dates
From November 21, 2024 to March 9, 2025
title
Teresa Solar Abboud. Bird Machine Dream
documents

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‘Teresa Solar Abboud. Bird Machine Dream’ | The voice of the exhibition
‘Teresa Solar Abboud. Bird Machine Dream’ | The voice of the exhibition
Today, when everything seems more incorporeal, the work of Teresa Solar Abboud transports us, through a sensory experience, to a suspended space.
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'Teresa Solar Abboud. Bird Machine Dream' | The voice of the exhibition
‘Teresa Solar Abboud. Bird Machine Dream’ | The voice of the exhibition
Exhibition
Exhibition “Teresa Solar Abboud. Bird Machine Dream”

artist

Teresa Solar Abboud (Madrid, 1985). Lives and works in Madrid. Her work was part of the 59th International Art Exhibition of La Biennale di Venezia The Milk of Dreams, curated by Cecilia Alemani. She recently presented ‘Birth of Islands’, a new sculpture for The High Line in New York. She has participated in a group show at Collegium, Arévalo, curated by Chus Martínez. Her work has featured in the group show Futuros Abundantes with the TBA21 collection, curated by Daniela Zyman at C3A, Córdoba; as well as in the Young Curators Residency Programme of the Fondazione Sandretto, in the group show Si las palabras hablaran/If words could talk, Madrid. In 2021 she took part in the Liverpool Biennial, curated by Manuela Moscoso, with a public art installation at Exchange Flags entitled Osteoclast. She participated in KölnSkulptur #9, curated by Chus Martínez, in Cologne (2017-2019). Recent solo exhibitions include Time of worms at Galeria Joan Prats in Barcelona, curated by Julia Morandeira; Big Mouth, within Boundaries, Oozing out at 1646, The Hague; Formas de fuga at Travesía Cuatro Madrid; Pumping Station at Travesía Cuatro CDMX; Ride, Ride, Ride at Matadero Madrid and Index Foundation, Stockholm; and Flotation Line at Der TANK, Institut Kunst in Basel. Group exhibitions include: the Pinchuk Foundation, Kiev; Museo de Arte Abstracto, Cuenca, Spain; Centro Conde Duque, Madrid; Casal Solleric, Palma de Mallorca; Museo Patio Herreriano, Valladolid, Spain; CA2M, Madrid; Haus der Kunst, Munich, Fundación Marcelino Botín, Santander; Maxxi, Rome; General Public in Berlin; Kunstverein Mün-chen; CA2M, Madrid and La Casa Encendida, Madrid.
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