Iman Issa, "Heritage Studies" (vista de l’exposició), Pérez Art Museum, Miami, 2015. Foto: STUDIO LHOOQ. Cortesia de l’artista, Pérez Art Museum Miami i Rodeo (Istambul/Londres).
Exhibition
Iman Issa
Heritage Studies
in progress
Iman Issa (Cairo, 1979) uses non-physical material in her work, relying on fiction while exacerbating the tension between objects and the words, names and adjectives used to describe them. In the words of the art critic Kaelen Wilson-Goldie: ‘In one sense, Issa’s work is about radical subtraction. Take the experience of a city, a structure, a monument, a memorial, a campaign poster, a political conflict, an open space, or an evocative story; then strip down the specificities and delete the defining details.’ Issa uses conventional museological displays such as vitrines, plinths, captions, labels and vinyl text to create frameworks for her objects and narratives that exist outside of a particular time or place. In her work, history becomes an exercise in an ahistorical storytelling that can concern us all.
Iman Issa lives and works in Cairo and New York. At the end of 2012 she won the 1st Han Nefkens Foundation – MACBA Award. The aim of this award is to help consolidate the work of artists who, despite a consistent career, are not yet recognised by the international artistic community, and to support international contemporary creation in Barcelona. Issa’s project, which was initially designed for a public space in the city, has been transformed into an exhibition representing a new phase in her series Heritage Studies.
Heritage Studies was begun in 2015. The title of this new body of sculptures comes from the interdisciplinary field of academic inquiry and applied knowledge that relates to the understanding and use of history. In this project, Issa explores historical artefacts that she feels resonate with the current moment. Paying careful attention to scale and material, her sculptures are reinterpretations of the historic artefacts alluded to in the labels: a formal means of exploring the implications of the original objects and their reverberations across time. While Issa’s forms are not replicas by any means, they seek to conjure a shared ethos or communicative potential with their initial reference points; they invite the question: How can an object serve or evade an agenda?
The exhibition also includes the audio piece The Revolutionary (2010), a work that weaves a story around the term ‘revolutionary’ and the meaning(s) it could evoke. Written by the artist and generated using text-to-speech software, the work presents a biographical and enigmatic portrait of a radical political figure.
Issa’s most recent solo and group exhibitions include: Perez Art Museum, Miami, 12th Sharjah Biennial, 8th Berlin Biennial, MuHKA, Antwerp, Tensta Konsthall, Spånga, New Museum, New York, and KW Institute of Contemporary Art, Berlin. Her books include Common Elements published by Glasgow Sculpture Studios in 2015 and Thirty-three Stories about Reasonable Characters in Familiar Places published by the SculptureCenter in 2011. Issa was also a recipient of the 2013 Abraaj Group Art Prize. She teaches at the Cooper Union School of Art, New York.
show more
show less
artist
Iman Issa (Cairo, 1979) lives and works between Cairo and New York, where she teaches at the Cooper Union School of Art. In a sober language, she makes installations that displace fragments of the collective memory into the realm of subjectivity, paying particular attention to commemorative monuments and their symbolism. Issa makes her installations with a critical incisiveness and visual maturity rarely found in artists of her generation. Author of a prolific body of work, she incorporates different media and techniques, paying particular attention to formal sense. Combining sculpture, photography, text, sound and video, her narrative works deconstruct the collective memory into isolated and abstract elements, yet loaded with an emotional content with which everyone can identify. Beyond their cryptic appearance, the works invite the viewer to develop new meanings. Issa connects personal history, perception and subjective experience with the forms that collectively represent history.
Among others, her exhibitions include participation in the biennials of Berlin (2014) and Sharjab, UAE (2012); Museum of Contemporary Art, Antwerp (2013); New Museum, New York (2012); KW Institute of Contemporary Art, Berlin (2011); Sculpture Center; New York (2011); and Contemporary Image Collective, Cairo (2011). She won the Fundación Han Nefkens-MACBA Prize for Contemporary Art (2012).
read more
Among others, her exhibitions include participation in the biennials of Berlin (2014) and Sharjab, UAE (2012); Museum of Contemporary Art, Antwerp (2013); New Museum, New York (2012); KW Institute of Contemporary Art, Berlin (2011); Sculpture Center; New York (2011); and Contemporary Image Collective, Cairo (2011). She won the Fundación Han Nefkens-MACBA Prize for Contemporary Art (2012).
artists
1 artists
videos
1 results
– YouTube
– YouTube
Enjoy the videos and music that you love, upload original content and share it all with friends, family and the world on YouTube.