Notes for an Eye Fire. Panorama 21
La ciutat com a exposició (The city as exhibition), 2021
La ciutat com a exposició (The city as exhibition), 2021 Ruta de autor

Notes for an Eye Fire exhibition views. Photo: Miquel Coll

La ciutat com a exposició is an investigation into the panorama, its history and its significance today.

The word ‘panorama’ was coined by the Irish painter Robert Barker in 1787 to describe a 360° painting displayed in a purpose-built rotunda that created an immersive spectacle for the viewer. Three panoramas formed a part of the 1888 Barcelona Universal Exposition, including a depiction of the Battle of Waterloo which remained on display for two years in Plaça de Catalunya.

Ruta de autor’s research and critical analysis of the panorama in Barcelona takes the form of a newspaper that serves as a portable exhibition and unfolds on the gallery walls. It begins with another kind of 19th-century entertainment, which could be considered the precursor of the panorama: the tethered hot air balloon ride, an experience that offered the paying public a bird’s-eye view of the city. The exploration of the panorama shows how its architecture combined a new visual paradigm with a symbol of industry, and it is followed by a reflection on the vestiges of modernity in the Ciutadella Park.

The aerial balloon and the transformation of ways of seeing
The invention of panoramas, a new type of show
Barcelona and the effects of the Universal Exposition of 1888
The war panoramas
The end of panoramic installations and other illusory representations of an expanding city

Making of

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Photos: Latitudes and Hiuwai Chu

About Ruta de autor

Ruta de autor

Ruta de autor combines archival and historical research from a range of disciplines to investigate the city. Its walking tours through public spaces act as a conduit for bringing people together while generating critical perspectives on official narratives by peeling back the multiple layers of a city’s history from its streets, architecture and monuments. It juxtaposes the archive with the present day by recalling histories and giving new meaning to familiar places. One of its emblematic routes is Barcelona and the Indianos (2014–ongoing), which follows the lives of those who set off to make their fortune in the colonial Americas in the 19th century and examines their impact on the city upon their return. In 2019 Ruta de autor organised Green Flag, a route and exhibition which explored the impact of a water treatment plant and the rerouting of the River Llobregat.

Ruta de autor are Aymara Arreaza R. and Lorena Bou Linhares, who pool their rich backgrounds in comparative literature, visual cultures and critical theory. Green Flag (2019) was presented in and around the Centre Cívic Jardins de la Pau, El Prat de Llobregat, with /UNZIP Arts Visuals. Their recent routes include Calippos of the World, with Larre (2020); Barcelona and America Tour: A Cartography of the Colonial Narrative (1835–1888), with MACBA (2019), and The Port ‘in Sekula Saeculorum’, with the Fundació Tàpies and The Green Parrot (2017). rutadeautor.com

Detail of the route Barcelona and America Tour, by Ruta de autor
Ruta de autor in action during a route
Route Green Flag, by Ruta de autor
Green Flag, exhibition by Ruta de autor
Route Green Flag, by Ruta de autor
Green Flag by Ruta de autor


Calippos of the World (2020). Video: Agustín Ortiz.