Narration, autonomy, multitude
The nervous writing in real time, full of discontinuities and fragments, of the book Esta revolución no tiene rostro. Escritos sobre literatura, catástrofes, mitopoiesis (This revolution has no name. Writings on literature, disasters, mythopoesis, Acuarela Libros, 2003), efficiently orders scattered texts which cover the cycle of global struggles in progress from "zapatismo" to the million people who cried out against war in Florence in November 2002. This book demonstrates Wu Ming's competence in understanding what Gramsci's lesson on the struggle for hegemony in popular culture means today politically; and that the cultural producer can only operate in conflict within the new productive forces and social contradictions.