Mondays from 19 October to 30 November at 7 pm
This Is Tomorrow (Whitechapel Art Gallery, London, 1956)
James Lingwood (co-director of Artangel, London)
The exhibitions of Pontus Hultén, with special emphasis on the sculpture-exhibition SHE – A Cathedral (Moderna Museet, Stockholm, 1966) and the Andy Warhol retrospective (Moderna Museet, Stockholm, 1968) with Magnus af Petersens (Moderna Museet, Estocolm)
Arte Povera e IM Spazio (Galleria La Bertesca, Genova, 1967) and Ambiente
Arte (Venice Biennale, 1976) Germano Celant (Solomon R. Guggenheim
Museum, New York), curator of both exhibitions
Experiencias '68 (Instituto Di Tella, Buenos Aires, 1968; re-constructed in 1998 at Fundación Proa, Buenos Aires, under the title Experiencias '68 – Instituto Di Tella) and Primera bienal de arte de vanguardia - Tucumán arde (Rosario, 1968)
Ana Longoni (Universidad de Buenos Aires) in discussion with Jaime Vindel
When Attitudes Become Form (Kunsthalle, Bern and London, 1969)
Yves Aupetitallot (Magasin-Centre National d'Art Contemporain, Grenoble)
Encuentros de Pamplona (1972)
José Díaz Cuyás (Universidad de La
Beyond the Ideology of the White Cube
Brian O'Doherty in discussion with Bartomeu Marí
Since 1991, James Lingwood has been co-director of Artangel (London) with Michael Morris, and Artangel Media, set up in 2000. He is on the advisory boards for the Museu Serralves in Porto, Atelier Calder and Capc in Bordeaux.
Magnus Af Petersens
Magnus Af Petersens is curator with responsibility for contemporary art at the Moderna Musseet (Stockholm) where he is also looks after the International art collection.
Known for his theorisation of "arte povera", German Celant has curated numerous exhibitions including Arte Povera e IM Spazio and Ambiente Arte. He is currently Senior Curator of Contemporary Art at the Guggenheim Museum, New York.
Ana Longoni is a writer, CONICET researcher and professor at the University of Buenos Aires. Her recent publications include the book Del Di Tella a Tucumán arde (Buenos Aires, reprinted by Eudeba, 2008), and the compilation volume El Siluetazo (Buenos Aires, Adriana Hidalgo Editora, 2008).
Jaime Vindel is a historian, art critic and lecturer at the University of León. He carries out research into the relationship between art and politics in Argentinean "conceptualist" practices in recent decades. He is a member of Red Conceptualismos del Sur, a network of researchers who explore "conceptualisms" in South America. He has co-edited the book Conceitualismos do Sul/Conceptualismos del Sur (Anablume, 2009).
Yves Aupetitallot is an art historian and director of Le Magasin, the national contemporary art centre in Grenoble, where he has curated numerous exhibitions. He is also director of the Musée cantonal des Beaux-Arts in Lausanne.
José Díaz Cuyás
José Díaz Cuyás is lecturer in aesthetics at the University of La Laguna (Tenerife) and director of Acto Ediciones. He is also editor of the book Cuerpos a motor (Las Palmas and Santiago de Compostela, 1997) and the catalogue Ir y venir de Valcárcel Medina (Barcelona, Fundació Antoni Tàpies, 2002).
A conceptual artist (under the alias Patrick Ireland), Brian O'Doherty is the author of the influential book Inside the White Cube: Ideologies of the Gallery Space (Berkeley, University of California Press, 2000), a compilation of his 1970s texts that established the expression "white cube" in reference to the ideology of the museum space.
Programme subject to last-minute changes.