In 2024, the Vermelho Gallery in São Paulo commissioned a new project from Carlos Motta. The result was Gravidade, a performance by Motta and eight other local performers. Conceived as a choral movement, it began with a set of drawings by Motta showing a scorched desert landscape in which hundreds of people hold, carry and take care of each other. Following this visual score, the performers carry out a series of actions to support each other. To music composed by Luisa Lemgruber, they fight with exaggerated slowness against the force of gravity while investigating ideas such as care, resistance, weight and survival. With love, care, resistance, mutual attunement, trust, and a remarkable ability to enter into another’s body and sustain it from a shared sense of humanity, the performers find cautious and tender ways to hold, carry and endure the weight of their companions’ bodies for as long as possible, creating scenes of sustained resistance that address the fundamental question raised by Motta: Would you support the life of a stranger?
Carlos Motta’s (b. 1978, Colombia) multi-disciplinary art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities to challenge normative discourses through acts of self-representation.
Motta exhibitions include career-survey exhibitions at Museo de Arte Moderno de Bogotá (MAMBO) (2023); The Wexner Center for the Arts, Columbus (2022); Museo de Arte Moderno de Medellín (MAMM) (2017); and Röda Sten Konsthall, Gothenburg (2015).
His work was included major group exhibitions, biennials, and film festivals such as Foreigners Everywhere, Biennale di Venezia (2024); Scientia Sexualis, Pacific Standard Time (PST) at Institute of Contemporary Art (ICA), Los Angeles (2024); Signals: How Video Transformed the World at Museum of Modern Art (MoMA), New York (2023); Film Festival Oberhausen (2023); Is it morning for you yet?, 58th Carnegie International (2022); Film at Lincoln Center’s Art of the Real (2021); The Crack Begins Within, 11th Berlin Biennale for Contemporary Art (2020); Home is a Foreign Place, Metropolitan Museum of Art, New York (2019); When Home Won’t Let You Stay, Institute of Contemporary Art (ICA), Boston; Incerteza Viva: 32nd Bienal de São Paulo (2016); Rotterdam Film Festival (2016, 2010); A Story Within A Story: Göteborg International Biennial of Contemporary Art (2015); Burning Down the House: X Gwangju Biennale (2014); Toronto International Film Festival (2013); Le spectacle du quotidian: X Lyon Biennale (2010); and many others.Motta’s grants, fellowships and awards include the Artist Impact Initiative x Creative Time R&D Fellowship (2023); a Penn Mellon Just Futures Initiative Grant (2023); a Rockefeller Brothers Fund Grant (2019); The Vilcek Foundation Prize for Creative Promise (2017); The PinchukArtCentre’s Future Generation Art Prize (2014); and a Guggenheim fellowship (2008).His work is in the permanent collections of The Metropolitan Museum of Art, The Museum of Modern Art, Guggenheim Museum, SFMOMA, Museo de Arte Reina Sofía, Madrid, The Centre Pompidou, Paris, amongst many others.
We celebrate Year Thirty of an infinite MACBA that projects the future as a space for revision and possibility: of taking up what was left unfinished, updating what needs it and projecting anew everything that can still be transformed.
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