Collectable

All UTOPIAS invite us to take Flight. Happy Saint Jordi’s Day!

The Collectables of the Year Thirty

Josep Ponsatí is known for his inflatable sculptures, in the form of monumental, aerial, ephemeral structures. He erected his first one in 1971 in the city of Granollers. It consisted of eleven yellow and white plastic modules, square in shape, forming a modular tower that rose to a height of around forty meters. A second inflatable object was set up in October 1971 at Cala de Sant Miquel, a bay on the island of Eivissa, during the congress of the International Council of Societies of Industrial Design (ICSID). The third one was a more complex work made up of red triangular modules that was set up between June and August 1972, first at Cap de Creus and Cadaqués, and then at Benidorm. Finally, Ponsatí erected the Barcelona inflatables: at Montjuïc in 1977 and at Plaça de Catalunya in 1982. As Alexandre Cirici remarked, the physical aspect of these kinds of works is the least important, and what matters is the ritual, gesture and movement, and the participation of all those who collaborate in them. As in all collective celebrations. Happy Saint Jordi’s Day!

Works in the collection

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[0468_003_hist / Imatge] Escultura per a Pictorama
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[0841_001_hist / Imatge] Escultura a l'interior de la Galeria Maeght
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[3195_009_pub / Imatge] 3195_009_pub.tif
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[3688_037_hist / Imatge] Ponsatí III Peça, Cap de Creus - Cadaqués - Benidorm
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artist

foto de l'artista: Josep Ponsatí
Josep Ponsatí
Banyoles
1947
Josep Ponsatí (Banyoles, Girona, 1947) lives and works in Porqueres, Girona. He studied in Barcelona, with sojourns in Paris and New York, and participated in actions and group events in Catalonia’s conceptualist scene in the late sixties. His early kinetic sculptures in a minimalist, constructivist style soon veered towards the world of inflatable objects: ephemeral sculptures that tied into the landscape and put him on the map of the conceptual art world. He built his first inflatable work in 1971, and from then on his artistic expression focused on the creation of large-scale inflatable sculptures. As a result of his participation in the Paris Biennial in 1973, his inflatable sculptures received international acclaim. Although these pneumatic structures were playful and participatory, they were always preceded by a long technical process and many calculations. From the eighties onwards, Ponsatí has developed much more complex aerial, ephemeral sculptural objects.

Footage of his inflatable sculptures has been screened at the Biennale de Paris (1973), the Joan Miró Foundation (1977), Centre d’Art Santa Mònica de Barcelona (1989 and 1992), Museo Nacional Centro de Arte Reina Sofía (2005), the National Museum of Contemporary Art of Korea (2010), MACBA (2011), Moderna galerija in Ljubljana (2011-2012) and CaixaForum Madrid (2011-2012). In 1986, the Museu d’Historia de la Ciutat in organised a Josep Ponsatí retrospective. His work is in the collections of the Centre Pompidou in Paris and MACBA.
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MACBA Thirty

We celebrate Year Thirty of an infinite MACBA that projects the future as a space for revision and possibility: of taking up what was left unfinished, updating what needs it and projecting anew everything that can still be transformed.

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