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Arxiu Tucumán Arde [Documentació relativa a les diverses accions i treballs d'aquest col·lectiu], 1966-1968

Tucumán Arde Archive [Documentation related to different actions and works carried out by this group], 1966-1968
Graphic material, Various dimensions

Tucumán Burns came into being as a collective project, initially anonymous, to condemn the crisis in the Tucumán region in northern Argentina. In 1966, the Argentine dictatorship of General Carlos Ongania set in motion ‘Operation Tucumán’, a series of industrial promotion and agricultural diversification measures. Concealed by propaganda, the real intention of these policies, which could be described as being neoliberal in character, was to replace the area’s sugar monocropping, resulting in the closure of sugar cane mills and leading to recession in the region, the destruction of the local union movement and the migration of workers.

The artistic project, planned in four stages, began with research into the conflict. The artists travelled to Tucumán and, together with sociologists, economists, journalists and union leaders, gathered information on the causes and consequences of the crisis. Employing interviews, photographs and film recordings, they documented the situation, which was given no coverage in the official media. The second stage consisted of a massive, anonymous publicity campaign, mainly in the city of Rosario, using posters bearing the word ‘Tucumán’ and graffiti with the enigmatic slogan ‘Tucumán Arde’ (Tucumán Burns), which maintained the mystery of the message. In the third stage, the results of the research and the campaign were presented in an exhibition at the headquarters of the trade union the General Confederation of Labour (CGT), in Rosario, in November 1968. Even though public events were banned, the exhibition drew thousands of people in just two weeks. The exhibition then travelled to Buenos Aires but only lasted a few hours because the government threatened to shut down the CGT headquarters, and the artists decided to withdraw the display to avoid any damage to the workers’ centre. The openly political nature of the actions of the GAV pushed at the limits of what was permitted by the dictatorship, which abruptly closed the exhibition. The fourth phase of the project was thus cancelled and the GAV disbanded.


Technical details

Original title:
Arxiu Tucumán Arde [Documentació relativa a les diverses accions i treballs d'aquest col·lectiu]
Registration number:
2789
Artist:
Grupo de Artistas de Vanguardia
Date created:
1966-1968
Date acquired:
2004
Fonds:
MACBA Collection. MACBA Foundation
Object type:
Graphic material
Media:
Various materials
Dimensions:
Various dimensions
Credits:
MACBA Collection. MACBA Foundation
Copyright:
© Archivo Graciela Carnevale
It has accessibility resources:
No

The MACBA Collection features Catalan, Spanish and international art and, although it includes works from the 1920s onwards, its primary focus is on the period between the 1960s and the present.

For more information on the work or the artist, please consult MACBA's Library. To request a loan of the work, please write to colleccio [at] macba.cat.

If you need a high resolution image of the work, you must submit an image loan request.


Related

Images

Grupo de artistas de vanguardia, poster of the "Primera Bienal de Arte de Vanguardia", 1968
Arxiu Tucumán Arde. Documentació relativa a les diverses accions i treballs realitzats per aquest col·lectiu. 1966-1968
Arxiu Tucumán Arde. Documentació relativa a les diverses accions i treballs realitzats per aquest col·lectiu. 1966-1968
Arxiu Tucumán Arde. Documentació relativa a les diverses accions i treballs realitzats per aquest col·lectiu. 1966-1968
Arxiu Tucumán Arde. Documentació relativa a les diverses accions i treballs realitzats per aquest col·lectiu. 1966-1968
Arxiu Tucumán Arde. Documentació relativa a les diverses accions i treballs realitzats per aquest col·lectiu. 1966-1968