The phantom limb. Carol Rama and the history of art' in the publication 'The passion according to Carol Rama'
'The work of Carol Rama couldn't have been seen in its moment: the frame of intelligibility through which to see her work simply did not exist.'
'It is necessary to defeminise, defolkloricise, defetishise, depathologise and depornographise Carol Rama.'
'Throughout the nineties, when Carol Rama sought a place of identification, the artist refrained from appealing to figures of femininity and instead explored the figure of the animal infected with bovine spongiform encephalopathy: mad cow disease.'
'The mad cow is me, and this has given me a joy, an extraordinary joy.'