In the paintings of Josep M. de Sucre, portraits of distressed characters are the main subject. These men and women are portrayed with obsessive faces and hallucinating eyes that suggest intensely existential inner universes. With an Expressionist air and a certain primitivism suggestive of Fauvism, they are closely linked to the world of the Russian painter Alexej von Jawlensky or to Paul Klee, whom de Sucre admired. With a broad brushstroke and a use of colour often close to tenebrism, his characters condense much of the pain associated with the twentieth century.
His technical simplicity (he generally used wax crayon on small format paper) and his obsessive character (he repeats faces and eyes, while the majority of his portraits are full-frontal) merge with the Expressionist and dramatic character. While in some works the grotesque element comes close to caricature, in his painting de Sucre explores the subconscious in an unremitting search for the truth. Like other creators with whom he established a close complicity, such as the painter Rafael Barradas and the poet Joan Salvat-Papasseit, he felt a need for moral depth.
Gold does not take on any dirt. And gold, just are diamonds, is an exalted material. It possesses such a degree of abstraction that it encounters you –if you use it artistically– on an already exalted level.