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Vierkantrohre Serie D, 1967 (2010)

Durant l'exposició temporal de l'artista al MACBA (2019) es comunica des de l'Estate que el títol original ha de ser en alemany., 1967 (2010)
Sculpture, 50 x 83 x 35 cm
Charlotte Posenenske was one of the few European artists who took up the principles of American Minimalism, to which she applied a social and performative dimension. Her sculptures spring fom industrial manufacturing and aim to dilute the concept of authorship. She made them in 1967 and 1968, and they were installed in public spaces: an airport, a railway station, a bank, a market or a factory. In all of these cases, the artist shared her authorship with the teams of fabricators and installers of the pieces, who decided their placement and modularity. Realism of form, collective production, the end of the subject and criticism of institutions came out of the principles of the social movement generated around the events of May 1968, which Posenenske fully adopted and condensed in her Manifesto. Closely aligned with the philosophers of the Frankfurt School, after ten years of artistic production, and convinced that art could not change the world, she abandoned it and dedicated herself to activism and sociology.

Technical details

Original title:
Vierkantrohre Serie D
Registration number:
5270
Artist:
Posenenske, Charlotte
Date created:
1967 (2010)
Date acquired:
2015
Fonds:
MACBA Collection. MACBA Foundation
Object type:
Sculpture
Media:
Reconstruction. Steel
Dimensions:
50 x 83 x 35 cm (height x width x depth)
Credits:
MACBA Collection. MACBA Foundation
Copyright:
© Estate of Charlotte Posenenske/Burkhard Brunn, Frankfurt/M.
It has accessibility resources:
No

Accessibility resources
Audio description

The MACBA Collection features Catalan, Spanish and international art and, although it includes works from the 1920s onwards, its primary focus is on the period between the 1960s and the present.

For more information on the work or the artist, please consult MACBA's Library. To request a loan of the work, please write to colleccio [at] macba.cat.

If you need a high resolution image of the work, you must submit an image loan request.

I like to work with what is often called "cultural heritage", but the materials that I use are banal and clichéd, like sugar blocks, doors, couscous, rugs, official documents.
Latifa Echakhch