In the early seventies, following on from Arte Povera, the actions of Fina Miralles developed as a reflection on the materiality of nature. Most of her work was based on the dialectic between nature and artifice through a change in the context of physical elements. The Translations series documents some of the actions performed in November 1973. On a beach in Premià de Mar, Miralles set grass floating on the sea: the grass, which had been grown in Sabadell, was cut and transported in turves of 40 x 40 cm. The flotation lasted about three hours. Miralles kept the images of the action in a box- suitcase in a reference to the emblematic Boîte-en-valise by Marcel Duchamp.
Another work in the series was done in Sant Llorenç del Munt, where the artist ‘planted’ herself in the ground as if she were a tree, until she was buried up to her knees, as it is shown in the documents displayed at the vitrine.
It could be my bedroom (or something similar to it). Even the same technical characteristics: all the walls and volumes constructed in this module of raw canvas for painters to measure me and measure ourselves.