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Fiesta 4 puertas, 2001

Fiesta, 4 Doors, 2001
Media, 79.4 x 99.7 cm cm

Since the late 1990s and into the 2000s, globalisation and neoliberalism renewed art’s political perspective. In the artistic practices of the times, some of the conceptualisms of previous decades were updated, and body and action art were widely incorporated as a way of expressing contemporary malaise.

The work by the Basque artist Jon Mikel Euba epitomises the vision of that period. Although in other pieces he usually records performances involving various people, in Fiesta, 4 Doors he draws on the immediacy and visual strength of the language of multimedia. Divided across different screens, Euba projects a well-known greguería by Ramón Gómez de la Serna (1888–1963).

The genre is characterised by a short phrase with a biting social criticism and was invented by Gómez de la Serna himself, a notable writer and journalist of the Spanish avant-garde. Deployed in an installation, Euba transforms a textual material into a cinematic element. A simple change of scale and context lets him combine the text and the image of the text in a narrative system that also incorporates the factor of time, in which every new image negates the meaning of the previous one.

Technical details

Original title:
Fiesta 4 puertas
Registration number:
2467
Artist:
Euba, Jon Mikel
Date created:
2001
Date acquired:
2004
Fonds:
MACBA Collection. MACBA Foundation
Object type:
Media
Media:
5 simultaneous slide projections
Dimensions:
79.4 x 99.7 cm cm (height x width)
Credits:
MACBA Collection. MACBA Foundation
Copyright:
© Jon Mikel Euba, VEGAP, Barcelona
It has accessibility resources:
No

The MACBA Collection features Catalan, Spanish and international art and, although it includes works from the 1920s onwards, its primary focus is on the period between the 1960s and the present.

For more information on the work or the artist, please consult MACBA's Library. To request a loan of the work, please write to colleccio [at] macba.cat.

If you need a high resolution image of the work, you must submit an image loan request.

One always arrives to at something which one can no longer depict.
Dieter Roth