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Fiesta 4 puertas, 2001

Fiesta, 4 Doors, 2001
Media, Variable dimensions

Jon Mikel Euba belongs to a generation of Basque artists active since the late 1980s. His action art draws on the cinema of Alfred Hitchcock and Jean-Luc Godard, as well as the action art and performance of the seventies by pioneering artists such as Vito Acconci, Bruce Nauman and Paul McCarthy. His proposals call for the active participation of the viewer and, although they are not political, they should be seen in the immediate social context of the Basque Country. Thus, many of his works refer us, in some way, to codes for reading the image with clear connotations of social violence, such as the two works in the MACBA Collection.

Fiesta 4 puertas (Four-Door Fiesta) incorporates the immediacy and visual strength of multimedia language. Projected on different screens, we see a well-known greguería by Ramón Gómez de la Serna (1888–1963), a genre using short sentences and poignant social criticism invented by this prominent writer and journalist of the Spanish avant-garde. Displayed as an installation, Euba turns textual material into a cinematic element. A simple change of scale and context allows him to integrate the text, and the image of the text, into a narrative system that, by incorporating the time factor, makes each change of image negate the meaning of the previous one.

A lone car at the edge of a forest, a hidden identity and the act of obscuring the windows of the vehicle are the narrative elements used by Euba in Gatika doble final (Gatika Double Final). Recorded in the woods of the town of Gatika, in Biscay, a province of the Basque Country, Euba invites us to reflect on the idea of ​​truth and falsehood, and on the false dilemma between certainty and fiction. Inspired by the collective work of the seventies, the artist records the action of two people as they paint the names of other artists on the windows of a car, obscuring visibility and thus rendering driving illegal. Playing with the idea of ​​a wooded area in the Basque context of the late 1990s also creates a climate of mistrust and fear. While there is no sign of explicit violence and the live sound of the action reminds us that this is a performance, the visual grammar to which we are conditioned by cinema and the media makes us interpret Euba’s actions as if they were a thriller.


Technical details

Original title:
Fiesta 4 puertas
Registration number:
2467
Artist:
Euba, Jon Mikel
Date created:
2001
Date acquired:
2004
Status:
On display
Fonds:
MACBA Collection. MACBA Foundation
Object type:
Media
Media:
5 simultaneous slide projections
Dimensions:
Variable dimensions
Room:
Meier Building, Level 1, Room 11
Credits:
MACBA Collection. MACBA Foundation
Copyright:
© Jon Mikel Euba, VEGAP, Barcelona
It has accessibility resources:
No

The MACBA Collection features Catalan, Spanish and international art and, although it includes works from the 1920s onwards, its primary focus is on the period between the 1960s and the present.

For more information on the work or the artist, please consult MACBA's Library. To request a loan of the work, please write to colleccio [at] macba.cat.

If you need a high resolution image of the work, you must submit an image loan request.


Related

Images

Jon Mikel Euba "Fiesta 4 puertas", 2001
Jon Mikel Euba "Fiesta 4 puertas", 2001
Jon Mikel Euba "Fiesta 4 puertas", 2001
By presenting a story of a victim of violence in Colombia, I am calling on the memory of pain which all human beings have, here or anywhere else in the world.
Doris Salcedo