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Espot, 1969 (1989)

Spot, 1969 (1989)
Sculpture, 126 x 74.5 x 46 cm

Are we returning to bread and circuses?

It’s not that we’re returning, it’s that we have never moved on. I had a great friend, Cirici Pellicer, a man who is sadly missed and who in Franco’s days said that when democracy came people wouldn’t be so preoccupied with sport because they’d have other concerns. But now I see he was wrong, because they care more about it now than in the Franco era. Moreover, I think television, which I consider a great invention, the way it is now distorts people and gives importance to things that don’t have any; all those millions spent on football, when there are more basic things. The other day I heard a very apt definition: TV is chewing gum for the eyes. I have no TV or radio.

What’s the point in not having TV or radio?

Nothing, it’s a matter of concept. Every day I try to go to the cinema and at home I prefer silence. Why go with the flow, when important things do not come by these means?

Altés, Elvira: ‘Quina és la pregunta que mai li han fet?’, Avui Diumenge (5 February 1995), pp. 30–31


Technical details

Original title:
Espot
Registration number:
4969
Artist:
Brossa, Joan
Date created:
1969 (1989)
Date acquired:
2011
Status:
On loan
Fonds:
MACBA Collection. MACBA Consortium
Object type:
Sculpture
Media:
Diverse material
Dimensions:
126 x 74.5 x 46 cm (height x width x depth)
Edition number:
Objecte únic
Credits:
MACBA Collection. MACBA Consortium. Joan Brossa Fund. Long-term loan of Fundació Joan Brossa
Copyright:
© Fundació Joan Brossa, VEGAP, Barcelona
It has accessibility resources:
No

The MACBA Collection features Catalan, Spanish and international art and, although it includes works from the 1920s onwards, its primary focus is on the period between the 1960s and the present.

For more information on the work or the artist, please consult MACBA's Library. To request a loan of the work, please write to colleccio [at] macba.cat.

If you need a high resolution image of the work, you must submit an image loan request.

The artist has to face the unknown with a positive mood and sink his teeth without fear
Eduardo Chillida