Nazario Díaz (Linares, Jaén) develops his work mainly within performing arts, focusing on the tension generated between body, gaze and writing. In recent years, and in parallel to his activity with the collective Vértebro, he has participated in several collective learning contexts (Master in Performing Arts Practice and Visual Culture, Madrid / 2016-2017; PICA, Azala-Vitoria / 2018-2019; Invitación, Bilbao / 2019-2020) exchanging methodologies and tools belonging to the field of dance and live arts. His work has been supported by contexts such as Terrassa Noves Tendències (Barcelona), Reims Scenes d'Europe (France), Encuentro Internacional de Artes Vivas de Tlalpan (Mexico City), Matadero (Madrid), Festival Sâlmon, Mercat de les flors (Barcelona), Azkuna Zentroa Alhondiga Bilbao, Museo Nacional Centro de Arte Reina Sofía (Madrid), Tenerife Espacio de las Artes, Academia de España en Roma, Instituto Valenciá d'Art Modern, Centro Galego de Arte Contemporánea, Galería Foco (Lisbon), Centro Párraga (Murcia) and Can Felipa Arts Visuals (Barcelona). He currently lives between Lisbon and Bilbao, where he is developing the projects "Conversation pieces" with the sound collective "Metal performers" and the Basque choreographer Isaak Erdoiza, and "Otro borrado a través de la insistencia", within the framework of the Programa Avanzado de Creación en Artes Performativas, curated by João Fiadeiro for Forum Dança, Lisbon. These experiences gave rise to the pieces "fuego verde" (BAD Bilbao, 2021) and "amanecer alto cielo" (Azkuna Zentroa | Alhóndiga Bilbao, 2024).