With a career spanning nearly two decades, Los Voluble work with remixing, live cinema, digital folklore and political remix video. Their heterodox interpretation of flamenco, fiesta and the purism of electronic music became known with Raverdial, premiered at Sónar festival in 2015, and has continued to make an impact with Flamenco Is Not a Crime, premiered in 2020 at the flamenco festival in Nimes. Their repertoire includes shows devoted to frontiers and migrations, such as Borderhack (2016), and productions for the Museo Reina Sofía, such as El 92 cava con todo (2022). In 2023 they brought JALEO IS A CRIME, somewhere between rave and flamenco fiesta, to the Grec festival, with screen included. Los Voluble have worked with contemporary artists in a range of fields, including Rocío Molina, Raúl Cantizano, Eduardo Guerrero, Rocío Márquez, Juan Carlos Lérida, Alicia Acuña, Niño de Elche, Alex Peña, Pony Bravo and Mucha Muchacha, with projects like La Costilla de Rocío (seen at the CCCB in 2018), Carta Flamenca a Nam June Paik (flamenco and video art, 2015) and Turismo sin fin (2015). Sound, visual and conceptual research and experimentation form part of the narrative running through their AV shows. In 2025 they premiered the production La Voz de Alarma and started a new Archivo Flamenco, in which they explore the possibilities and legacy of the audiovisual documentation of contemporary flamenco.