Parallel Benet Rossell

Activity

Parallel Benet Rossell

Benet Rossell "Amortisseurs", 1971-1973

Guided tour by Teresa Grandas, co-curator of the exhibition

The exhibition on Benet Rossell (Àger, 1937) offers a broken, fragmented vision of his work that avoids the conventions of chronological retrospectives, and provides several ways of approaching an oeuvre woven out of a great variety of different languages and media. Although he originally studied law, economics and sociology, Benet Rossell soon took an interest in artistic activity and began to work in an array of disciplines, from drawing and signic writing, painting, and the occasional tapestry or ceramic piece, to action and performance, experimental and commercial film, poetry and theatre, among others. His approach to all these languages is highly personal, and his unconventional output includes optical objects, work with crops, drawings and interventions on film, dibuixos amanits (oiled drawings), affidavits, wordless comic strips, film scripts and dibutexts (drawing-texts), to name a few.

Opening: June 10 at 7.30 pm
Exhibition: until January 23 2011

dates
30 June 2010
title
Parallel Benet Rossell
dates
30 June 2010
title
Parallel Benet Rossell

participant

Teresa Grandas is a curator, researcher and writer who curates exhibitions at the MACBA. Her research has often focused on the artistic practices of the 1970s and particularly on the work of female artists and the countercultural scene, as well as their echoes and connections with art today.

As a curator, she has been in charge of various collective and individual shows, including The Passion According to Carol Rama (MACBA, 2014; Musée d’Art Moderne de la Ville de Paris, 2015; Espoo Museum of Modern Art (EMMA), Espoo, Finland, 2015-2016; Irish Museum of Modern Art (IMMA), Dublin, 2016; Galleria Civica d’Arte Moderna e Contemporanea di Torino (GAM), 2016-2017), Hard gelatin. Hidden stories from the 80s (MACBA, 2016; Hiriartea Centro de Cultura Contemporánea, Pamplona, 2018), Brossa Poetry (MACBA, 2017; Artium, Vitoria, 2018; Museo Nacional de Bellas Artes y Centro Cultural Kirchner (CCK), Buenos Aires, 2019; MUAC Museo Universitario Arte Contemporáneo, Mexico City, 2021-2022) and Fina Miralles: I Am All the Selves that I Have Been (MACBA, 2021; Index – Swedish Contemporary Art Foundation and Marabouparken konsthall, Stockholm, 2022; Museo d’arte contemporanea Donnaregina (MADRE), Naples, 2022-2023).
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