Maite Garbayo Maeztu: To Let Something Do Its Thing
Sâlmon Festival Discursive Programme
Song for Many Movements: Scenes of Collective Creation
finished
Art history has always neglected matter, which constantly reappears as a problem to be solved, to be controlled. Matter was something passive, dead, raw, that the artist of modernity came to tame. But what would happen if we let it do its own thing? I will propose a way —always interrupted by bodies and materials— to think aesthetic experience as an intersubjective encounter that transcends the scopic to engage magic and affect.
This event is presented as part of Song for Many Movements, an ephemeral experiment in which the ground floor of MACBA becomes a stage for encounters, conversations and shared listening. Curated by María Berríos and Sabel Gavaldon.
In collaboration with
dates
Thursday, February 22, 2024
timetable
11:00 am
price
Free admission. No booking required. Limited space
title
Maite Garbayo Maeztu: To Let Something Do Its Thing
location
Meier Building
Show more
Show less
dates
Thursday, February 22, 2024
title
Maite Garbayo Maeztu: To Let Something Do Its Thing
timetable
11:00 am
location
Meier Building
price
Free admission. No booking required. Limited space
Maite Garbayo-Maeztu is Serra Hunter professor in the Department of Art History at Universidad de Barcelona and lead researcher for the project Ritmos del trabajo feminizado en la historia del arte y la cultura visual (Estado español, 1936-2022), funded by the MCIN. Her research explores the intersections between feminisms, visual and popular culture, and contemporary art in the Spanish state and Latin America during the 20th century. Her first book, Cuerpos que aparecen. Performance y feminismos en el tardofranquismo (consonni, 2016) analyzes the presence of the body in performance practices during the final years of the Francoist dictatorship, in connection with feminist activism of the time and visual culture. She conducted postdoctoral research at the Institute of Aesthetic Research of Universidad Nacional Autónoma de México before joining the Art Department of Universidad Iberoamericana (Mexico). Her career has developed both in academia and in the contemporary art world, where she has curated several exhibitions and public programs.
We use cookies to ensure the website works properly and to make your experience more convenient. Some allow us to remember your preferences; others help us understand how you use the website so we can continue improving our content and services; and some may be used to provide you with more relevant information. You decide which cookies you want to accept: you can configure or change your preferences at any time.
Functional
Always active
These allow the website to provide enhanced functionality and embedded content. If you disable them, some parts of the site may not work properly.
Preference
These cookies remember your choices and settings, such as your language preferences or display options, so that you do not need to configure them again each time you visit the website.
Analytics or performance
L'emmagatzematge o accés tècnic que s'utilitza exclusivament amb finalitats estadístiques.These cookies help us understand how you use the website, for example which pages you visit and how long you spend on them. Information is collected in an aggregated and anonymous way to help us improve the website’s content and performance.
Marketing
These cookies are used to show content and messages that are relevant to your interests and to measure the effectiveness of our communication campaigns. They may also be used by third-party services to track your activity across different websites.