.
Activity
Let’s talk about the Collection
Guided visit
finished
Let’s talk about… A Short Century: MACBA Collection with Domènec, Antònia M. Perelló, Tania Safura Adam, Beatriz Leal Riesco, Teresa Grandas, Fernando López, Monica Hoff, Pablo Martínez, Nicolás Paris and Tanya Barson
The programme Let’s talk about generates discussions on the Museum’s exhibitions between the different agents and artists in the city and our regular public. It is a meeting point that regards exhibitions as powerful devices capable of activating the imagination and generators of discourses that often go beyond the preconceived readings of the institution or the curatorial team.
A Short Century: MACBA Collection is a display which offers a chronological path through the MACBA Collection from 1929 to the present. It includes many key works in a series of rooms devoted to emblematic moments or decades. Curated by the MACBA team, special attention is given to the changing presentations and experiences of art through these nine decades or ‘short century’.
PREVIOUS VISITS
► 20 OCTOBER, at 6 pm: Let’s talk about the city in the Collection with Domènec, Antònia M. Perelló, Tania Safura Adam, Beatriz Leal Riesco, Teresa Grandas, Fernando López, Monica Hoff, Pablo Martínez, Nicolás Paris and Tanya Barson.
► 3 NOVEMBER, at 6 pm: Let’s talk about La Lutte continue. The revolts of May ‘68 in the Collection with Antònia M. Perelló, Head of the Collection
► 29 DECEMBER, at 6 pm: Let’s talk about Hydra Decapita with Tania Safura Adam, cultural producer and Beatriz Leal Riesco, curator
► 12 JANUARY, at 6 pm: Let’s talk about the Collection with Teresa Grandas, MACBA’s Exhibitions Curator.
► 19 JANUARY, at 6 pm: Let’s talk about the Collection with Fernando López, multidisciplinary artist and philosopher.
show more
show less
participant
Teresa Grandas
Teresa Grandas is a curator, researcher and writer who curates exhibitions at the MACBA. Her research has often focused on the artistic practices of the 1970s and particularly on the work of female artists and the countercultural scene, as well as their echoes and connections with art today.
As a curator, she has been in charge of various collective and individual shows, including The Passion According to Carol Rama (MACBA, 2014; Musée d’Art Moderne de la Ville de Paris, 2015; Espoo Museum of Modern Art (EMMA), Espoo, Finland, 2015-2016; Irish Museum of Modern Art (IMMA), Dublin, 2016; Galleria Civica d’Arte Moderna e Contemporanea di Torino (GAM), 2016-2017), Hard gelatin. Hidden stories from the 80s (MACBA, 2016; Hiriartea Centro de Cultura Contemporánea, Pamplona, 2018), Brossa Poetry (MACBA, 2017; Artium, Vitoria, 2018; Museo Nacional de Bellas Artes y Centro Cultural Kirchner (CCK), Buenos Aires, 2019; MUAC Museo Universitario Arte Contemporáneo, Mexico City, 2021-2022) and Fina Miralles: I Am All the Selves that I Have Been (MACBA, 2021; Index – Swedish Contemporary Art Foundation and Marabouparken konsthall, Stockholm, 2022; Museo d’arte contemporanea Donnaregina (MADRE), Naples, 2022-2023).
read more
As a curator, she has been in charge of various collective and individual shows, including The Passion According to Carol Rama (MACBA, 2014; Musée d’Art Moderne de la Ville de Paris, 2015; Espoo Museum of Modern Art (EMMA), Espoo, Finland, 2015-2016; Irish Museum of Modern Art (IMMA), Dublin, 2016; Galleria Civica d’Arte Moderna e Contemporanea di Torino (GAM), 2016-2017), Hard gelatin. Hidden stories from the 80s (MACBA, 2016; Hiriartea Centro de Cultura Contemporánea, Pamplona, 2018), Brossa Poetry (MACBA, 2017; Artium, Vitoria, 2018; Museo Nacional de Bellas Artes y Centro Cultural Kirchner (CCK), Buenos Aires, 2019; MUAC Museo Universitario Arte Contemporáneo, Mexico City, 2021-2022) and Fina Miralles: I Am All the Selves that I Have Been (MACBA, 2021; Index – Swedish Contemporary Art Foundation and Marabouparken konsthall, Stockholm, 2022; Museo d’arte contemporanea Donnaregina (MADRE), Naples, 2022-2023).
artists
1 artists
