Creative strategies of the human rights movement in Argentina and Chile

Activity

Creative strategies of the human rights movement in Argentina and Chile

Lecture held by Ana Longoni
Joves pintant siluetes a l'Obelisc durant "el Siluetazo", Buenos Aires, 8 de desembre de 1983. Archivo Hasenberg - Quaretti. Colección Centro de Estudios Legales y Sociales. Archivo Fotográfico Memoria Abierta

Lecture held by Ana Longoni as part of Open PEI

The creative strategies of the human rights movement during the last dictatorships in Argentina (1976–83) and in Chile (1973–90) may be recognised and contrasted by two great matrixes of visual representation of the disappeared: photographs and silhouettes. Both arose (almost) in parallel and have a long history that has turned them into signs referring unequivocally to the disappeared, even outside Latin America.
Since 1977, the Madres de la Plaza de Mayo (Mothers of the Plaza de Mayo) have been inventing symbolic resources that identify them as a coherent group, while revealing to the families of the disappeared the existence and demands of Argentinean society and the international community. El Siluetazo (The Silhouette), 1983, points to one of those exceptional historical moments when an artistic initiative coincides with the demands of social movements and comes to the fore on the back of the masses. It required the participation, despite the threatening police presence, of hundreds of demonstrators who both painted and offered their own bodies for the tracing of silhouettes as representations of ‘the presence of an absence’: that of thousands of disappeared people.
After 1983 in Chile, new associations outside the partisan logic started intervening politically in the public space. Mujeres por la Vida (Women for Life), a collective of women with feminist beliefs and different ideological positions, and Movimiento Contra la Tortura Sebastián Acevedo (Sebastián Acevedo Movement Against Torture), whose ideological referent was Liberation Theology, responded actively to the persistent repression of Pinochet’s dictatorship through signals, traffic disruptions, quick actions and marches converging on unexpected parts of the city.

The term ‘Open PEI’ refers to the specific activities organised as part of the MACBA Independent Studies Programme that are open to the public.
These activities – which can include public debates, seminars, workshops, audiovisual screenings and lectures – share and bring to light the research lines developed in the PEI, which also engage with the MACBA’s programme of exhibitions and activities.

dates
17 April 2013
price
MACBA Auditorium. Free admission. Limited seating
title
Creative strategies of the human rights movement in Argentina and Chile
dates
17 April 2013
title
Creative strategies of the human rights movement in Argentina and Chile
price
MACBA Auditorium. Free admission. Limited seating
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