Un segle Breu: Col·lecció MACBA

Sala 10

While identity politics continued to influence artists into the nineties, and they were still negotiating the legacies of Minimal art and its tendency to eschew the personal, they began to work with large-scale installation art and scenography in ways that, even while often referencing Minimal art, addressed intensely personal or political subject matter. Allusions to the body were frequently made through its absence, or through props, prosthetics or proxies in the form of aids for and augmentations of the body, or else via furniture or other objects that stood in for the body or body parts.

Underlying these practices was a new consciousness of history at the fin de siècle and the end of the millennium. It was marked particularly by an awareness of the violence dominating twentieth-century history, a reflection made more intense in the aftermath of the fall of the Berlin Wall in 1989 and thus in an era of post-Communism, and likewise, at a time marked by debates around post-colonialism.

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    Tipus d'obra

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    Tipus d'obra

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    Tipus d'obra

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