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			<title>MACBA: Museu d'Art Contemporani de Barcelona</title>
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                        <category>Arts</category>
                        <category>Society &amp;amp; Culture</category>

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<title>October and the Problem of Formalism</title>
<link>/quaderns-portatils-peter-osborne</link>
<description>In April 2012 Peter Osborne was invited to give a seminar at MACBA called Whatever happened to theory II. Periodising Contemporary Art (or, What Happened to 'Postmodernism'?). Within this context he gave the lecture entitled October and the Problem o&amp;hellip;</description>
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<title>We can’t promise to do more than experiment</title>
<link>/quaderns-portatils-ana-janevski</link>
<description>Ana Janevski is currently Associate Curator at the Museum of Modern Art, New York. From 2007 to 2011 she held the position of curator at the Museum of Modern Art in Warsaw, Poland, where she curated, among many other projects, the large-scale exhibit&amp;hellip;</description>
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<title>Pobles exposats, pobles figurants</title>
<link>/quaderns-portatils-georges-didi-huberman</link>
<description>Georges Didi-Huberman is a lecturer at the School for Advanced Studies in the Social Sciences in Paris. He is the author of more than 30 books on the history and theory of images, including L’Image survivante. Histoire de l’art et temps des fantômes&amp;hellip;</description>
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<title>Fragment, experiment, dissonant prologue: modernism, realism and the photodocument</title>
<link>/quaderns-portatils-john-roberts</link>
<description>John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. He is the author of a number of books including The Art of Interruption: Realism, Photography and the Everyday (Manchester University Press, 1998), The Intangibilitie&amp;hellip;</description>
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<title>‘Every letter I write is not a love letter’. Inventing sociality with Ray Johnson's postal system</title>
<link>/quaderns-portatils-ina-blom</link>
<description>Ina Blom is a Professor at the Institute of Philosophy, Classics, History of Art and Ideas at the University of Oslo, where she also got her Ph.D (The Cut Through Time. A Version of the Dada/Neo-Dada Repetition. UiO, 1999). Her fields of research and&amp;hellip;</description>
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<title>Camérer, découper, déparalyser ou Le cinéma comme acte de la contingence</title>
<link>/quaderns-portatils-herve-joubert-laurencin</link>
<description>Hervé Joubert-Laurencin is a professor of Film Studies in the Arts Faculty at the University of Amiens. He is also a translator and specialist in Pier Paolo Pasolini, about whom he has organised several congresses. Other specialisations include anima&amp;hellip;</description>
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<title>Notes on The Media Crisis</title>
<link>/quaderns-portatils-peter-watkins</link>
<description>Peter Watkins (Norbiton, United Kingdom, 1935) gained critical recognition in the sixties as a result of the scandal arising from the BBC’s boycott against his film The War Game. Nevertheless, although he continued to produce a series of essential, r&amp;hellip;</description>
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<title>The Mediterranean to Come</title>
<link>/quaderns-portatils-costas-douzinas</link>
<description>Costas Douzinas is Professor of Law, Director of the Birkbeck Institute for the Humanities and Pro-Vice Chancellor at Birkbeck College, University of London. Educated in Athens, London and Strasbourg, Costas has taught at the Universities of Middlese&amp;hellip;</description>
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<title>Desvío hacia lo innombrable</title>
<link>/quaderns-portatils-suelyrolnik</link>
<description>Suely Rolnik is a psychoanalyst, writer and teacher of clinical psychology at the Catholic University of São Paulo, where she co-ordinates the Centre for Research on Subjectivity (Núcleo de Estudios de la Subjetividad). She lived in exile in Paris fr&amp;hellip;</description>
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<title>Una conversación</title>
<link>/quaderns-portatils-rosler-buchloh</link>
<description>Through the diversity of her work (photography, installation, performance, video, essays and fiction), Martha Rosler has created a series of cutting analyses on the myths and realities of patriarchal culture. Expressed with an unruffled sense of iron&amp;hellip;</description>
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<title>Ian Wilson. L'objecte del pensament</title>
<link>/quaderns-portatils-anne-rorimer</link>
<description>In this Quadern portátil, Anne Rorimer addresses and contextualises the work of conceptual artist Ian Wilson. It is the Catalan version of a text that was published in Spanish and English in the book Ian Wilson. The Discussions (MACBA, 2009). The tex&amp;hellip;</description>
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<title>The Painting of Postmodern Life?</title>
<link>/quaderns-portatils-tj-clark</link>
<description>T. J. Clark was born in Bristol, England, in 1943, and educated at Bristol Grammar School, Cambridge University, and the Courtauld Institute of Art, University of London. He has taught at various places in England and the U.S., since 1988 at Berkeley&amp;hellip;</description>
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<title>Dissidanses de Spero</title>
<link>/quaderns-portatils-helene-cixous</link>
<description>Hélène Cixous is one of the best-known contemporary French writers and thinkers and has a huge influence within the world of postmodernism and gender studies. Since the end of the 1960s, Cixous has published more than sixty books of essay, fiction an&amp;hellip;</description>
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<title>Agorafobia</title>
<link>/quaderns-portatils-rosalyn-deutsche</link>
<description>Rosalyn Deutsche is a professor of Modern and Contemporary Art, Feminist Theory, and Urban Theory at Barnard College (New York). Her analytical materia prima are the concept of the public sphere, discrepancies in development, and models of public art&amp;hellip;</description>
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<title>Hard-Core Art Film: The Contemporary Realm of the Senses</title>
<link>/quaderns-portatils-linda-williams</link>
<description>Linda Williams teaches courses on popular moving-image genres (pornography, melodrama, and "body genres" of all sorts). She has recently taught courses on Oscar Micheaux and Spike Lee, Luis Buñuel, eastern and western melodrama, film theory, and sele&amp;hellip;</description>
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<title>Terreno de lucha. El impacto de la sexualidad y la huella del sida en algunas prácticas artísticas performativas</title>
<link>/quaderns-portatils-vicente-aliaga</link>
<description>Juan Vicente Aliaga is a lecturer in the Fine Arts Faculty of the Valencia Polytechnical University (UPV). He is the author of Bajo vientre. Representaciones de la sexualidad en la cultura y el arte contemporáneos (Lower abdomen. Representations of s&amp;hellip;</description>
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<title>Art and Objecthood. A Lecture</title>
<link>/quaderns-portatils-stephen-melville</link>
<description>Stephen Melville is Professor of History of Art at the Ohio State University and has published widely on contemporary art as well as on issues in contemporary theory and historiography. With Philip Armstrong and Laura Lisbon he curated the major exhi&amp;hellip;</description>
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<title>El teatro en el campo expandido</title>
<link>/quaderns-portatils-jose-antonio-sanchez</link>
<description>José Antonio Sánchez is a professor at the Faculty of Fine Arts in Cuenca, where he lectures in Performing Arts History and Contemporary Art and Literature. He is the author of numerous texts on the theory and history of the performing arts, as well&amp;hellip;</description>
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<title>Cultura popular: de la épica al simulacro</title>
<link>/quaderns-portatils-nestor-garcia-canclini</link>
<description>Néstor García Canclini (Argentina, 1939) has been a professor and researcher at the Mexico's Autonomous Metropolitan University, Iztapalapa Unit, where he directs the Cultural Studies Program. He has traveled to many Universities as a visiting profes&amp;hellip;</description>
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<title>After the High/Low Debate</title>
<link>/quaderns-portatils-andreas-huyssen</link>
<description>Andreas Huyssen is the Villard Professor of German and Comparative Literature at Columbia University, where he served as founding director of the Center for Comparative Literature and Society (1998-2003). He chaired the Department of Germanic Languag&amp;hellip;</description>
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<title>On the Ends of Sleep: Shadows in the Glare of a 24/7 World</title>
<link>/quaderns-portatils-jonathan-crary</link>
<description>Jonathan Crary received his Ph.D. from Columbia 1987 having previously graduated with a B.A. from Columbia College, where he was an art history major. He also earned a B.F.A. from the San Francisco Art Institute where he majored in film/photography.</description>
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<title>The Photography of Social Form: Jeff Wall and the City as Subject Condition</title>
<link>/quaderns-portatils-blake-stimson</link>
<description>A recipient of a CAA/Luce Foundation fellowship from 1995 to 1998 and a fellow at the Clark Art Institute in 2004, Blake Stimson is Professor of Art History at the University of California, Davis, where he teaches postwar and contemporary art, critic&amp;hellip;</description>
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<title>El sueño del sigo XIX</title>
<link>/quaderns-portatils-kaja-silverman</link>
<description>Art Historian Kaja Silverman, a specialist in Film theory, is a key player in the re-vamping of the field. She earned her PhD in Philosophy from Brown University and is currently a professor in UC Berkeley’s Department of Rhetoric and in their Film S&amp;hellip;</description>
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<title>¿El arte cura?</title>
<link>/quaderns-portatils-suely-rolnik</link>
<description>Contemporary aesthetic practices operate with the fabric of reality as interferences that open up interstices of problematization and place the world in work. The singularity of a proposal lies in the part of reality in which it is inscribed and in t&amp;hellip;</description>
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<title>Spectralization of History, Spectralization of the Image, Spectralization of Europe</title>
<link>/quaderns-portatils-marina-grzinic</link>
<description>In the context of the relation between history, activism, the image and capital, Marina Grzinic outlines some topics that deal with capital, gender and positioning, i.e. with theory and history. The principal question is what kind of changes we can d&amp;hellip;</description>
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<title>La práctica documental a examen. El signo como espacio de conflicto</title>
<link>/quaderns-portatils-joe-spence</link>
<description>Jo Spence (London, 1934-1992) played a crucial role in the debates about photography and the criticism of representation of the 70s and 80s. Drawing inspiration from Bertold Brecht and John Heartfield, she focuses on the construction of an image. Her&amp;hellip;</description>
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<title>Paradoxical Models of Authenticity in Late 60s/Early 70s Rock-Performance</title>
<link>/quaderns-portatils-diedrich-diederichsen</link>
<description>Diedrich Diederichsen (Hamburg 1957) lives and works in Berlin. In the eighties, he was an editor of music magazines such as Sounds and Spex and in the nineties, he taught at art academies and universities in Germany, the United States and Austria. H&amp;hellip;</description>
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<title>Ag 2004-2006. Selección de textos de la Agenda informativa del MACBA</title>
<link>/quaderns-portatils-agenda</link>
<description>In 2004 the MACBA rethought one of its main means of communication with the public: the Agenda.  This quarterly publication, which began as a mere means of communicating the Museum’s activities and programs, has evolved into a compendium of relevant&amp;hellip;</description>
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