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			<title>MACBA: Museu d'Art Contemporani de Barcelona</title>
			<link>http://macba.cat</link>
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			<lastBuildDate>Fri, 24 May 2013 16:17:10 GMT</lastBuildDate>

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                        <category>Arts</category>
                        <category>Society &amp;amp; Culture</category>

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<title>The Road to Plunderphonia</title>
<link>/quaderns-audio-chris-cutler</link>
<description>In "The Road to Plunderphonia" Chris Cutler looks at the critical role of memory – on which both the origination and reproduction of music turns – and attempts to unpick to what extent the specific nature of a memory system shapes the music that it m&amp;hellip;</description>
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<title>Processes and systems in computer music; from meta to matter</title>
<link>/quaderns-audio-tony-myat</link>
<description>In this essay Dr Tony Myatt describes how processes and systems were applied in early experimental music, and contrasts two approaches to the use of systematic and algorithmic processes in experimental computer music. He distinguishes two practices,&amp;hellip;</description>
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<title>Radio Music</title>
<link>/quaderns-audio-jon-leidecker</link>
<description>"Radio Music" connects three examples from the history of the potential of the radio receiver as musical instrument, from its early beginnings in the twenties as captured on a comedy record, to formal art experiments in the forties and fifties, to it&amp;hellip;</description>
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<title>BLACKOUT. Representation, transformation and de-control in the sound work of Yasunao Tone</title>
<link>/quaderns-portatils-roc-jimenez</link>
<description>Yasunao Tone (Tokyo, 1935) is a Japanese interdisciplinary artist. He graduated from Chiba Japanese National University in 1957, majoring in Japanese literature. He became active in the Fluxus movement in the 1960s and moved to the United States in 1&amp;hellip;</description>
<pubDate>GMT</pubDate>
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<item>
<title>Cuaderno de Yokohoma</title>
<link>/quaderns-audio-llorenc-barber</link>
<description>In this Quadern d'àudio we publish the complete series of 17 graphic scores that Barber created in Yokohama (Japan) in 2005. This previously unpublished series brings together the visual exercises and/or pastimes that the composer compiled in a small&amp;hellip;</description>
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