Seminario Culture@Work Circulating Critical Practices
El MACBA, junto con el Consorcio de Lisboa, con sede en la Universidad Católica de Portugal, y el Departamento de Arte y Estudios Culturales de la Universidad de Copenhague, forma parte del proyecto Culture@Work, que se está desarrollando desde 2013 en los tres países y que lleva a cabo actividades públicas de diversa índole.
Este proyector tiene por objeto: profundizar en perspectivas transnacionales sobre la formación basada en la práctica de alto nivel de los profesionales del sector cultural mediante la promoción de un intercambio intelectual y artístico con artistas consagrados y emergentes; fortalecer la transferencia de conocimientos entre el sur, el centro y el norte de Europa, con el fin de reflejar un enfoque europeo diverso y a la vez coherente para el estudio de la cultura; implementar una plataforma sostenible para el diálogo intersectorial, promoviendo la organización transnacional de residencias artísticas en las instituciones de educación superior y organizando talleres de formación académica en las instituciones culturales asociadas, para aumentar y mejorar las relaciones de trabajo e interuniversitarias existentes.
Como actividad de clausura del proyecto, el MACBA organiza un seminario internacional centrado en la investigación artística que contará con la participación de la Universitat Pompeu Fabra y la Universitat de Barcelona.
Colaboradora: Universitat de Barcelona. Grup de recerca Art, Globalització, Interculturalitat / AGI.
Programa
DIVENDRES 24 I DISSABTE 25 D'ABRIL DE 2015
Friday April 24th , from 17 to 20h.
Venue. AULA MAGNA, Universitat de Barcelona. 4th floor.
Carrer Montalegre 6, 08001 Barcelona
17h. OPENING SESSION. Welcome by Prof. Anna Maria Guasch. Presentation by Carles Guerra
17:30h. Joana Masó. Space harder. Derrida's claim of (un)saturable
18,15h. Nanna Bonde Thylstrup. The politics of archival assemblages
19h. Panel with Joana Masó and Nanna Bonde Thylstrup. Moderated by Carles Guerra
Saturday April 25th from 10 to 13h. Panels
Venue: MACBA.
Panel 1. Venue MACBA. Aula 0
Performing Spaces
10h. Alexandra Balona. Not all who wander are lost. Benjamin Verdonck's work: from the black box, to the public space, and back again.
10:20h. Ana Dinger. Fish tanks and greenhouses: investigating the architecture of experience.
10:40h. Sarawut Chutiwongpeti. Wishes, Lies and Dreams
11h. Inês Sampaio and Joana Hortas. Are music concerts and institutions all about the music?
11:20h. Questions and discussion moderated by Prof. Anna Maria Guasch
Panel 2. Venue MACBA. Meier Auditorium
Performing Circulation
10h. Ana Cachola. Flagging Critical Practices: The Portuguese flag in contemporary art.
10:20h. Joana Mayer Duarte. De-Colonising Next Future
10:40h. Lydie Delahaye. The inherent artistic potential of archive
11h. Elisa Decet. Transgression
11:20h. Questions and discussion moderated by Carles Guerra
Panel 3. Venue MACBA. Convent dels Àngels Auditorium
Performing Critique
10h.Sofia Lemos. Dusting oneself: the anatomy of research.
10.20h. Dina Campos Lopes. Damned if you do. Damned if you don’t. I Do
10:40h. Toni Hildebrandt. Illegibility and/or Invisibility: Notes on the Grounds of Inscription
11h. Nina Vurdelja. Autonomous cultural spaces in the conditions of postsocial industrial heritage.
11:20h. Canan Marasligil (Writer in residence in Copenhagen): City in Translation - An exploration of Copenhagen through its languages.
11:40h. Questions and discussion moderated by Daniela Agostinho
13h. Lunch break
Saturday April 25th from 16,30h to 19h.
Venue. MACBA. Meier Auditorium
16:30h. Concluding assembly
17:30h. Eyal Weizman. Forensic architecture: ongoing investigations
Joana Masó is a lecturer on French Studies at the Universitat de Barcelona and a researcher at the UNESCO Chair on Women, Development and Culture at the UB. She has translated French authors from the second half of the twentieth century such as Hélène Cixous, Jacques Derrida, Catherine Malabou and Jean-Luc Nancy, and is interested in their relation to art. She is co-editor of the writings on Jacques Derrida, Artes de lo visible (1979-2004), Writings on the Arts of Visibility (1979-2004), and recently his essays on architecture and urban space, Jacques Derrida: Les arts de l’espace. Écrits et interventions sur l’architecture.
Nanna Bonde Thylstrup is working on the politics of mass digitization, with a special focus on cultural memory, territorializations and infrastructures as well as human rights perspectives on information assemblages. She has a particular interest in the effects of privatization and commercialization.
Eyal Weizman is an architect, professor of spatial and visual cultures and director of the Centre for Research Architecture at Goldsmiths, University of London. Since 2014 he is a global professor at Princeton University. In 2011 he set up Forensic Architecture, a research agency that provides architectural evidence for violations of international law and human rights. In 2007 he set up, with Sandi Hilal and Alessandro Petti, the architectural collective DAAR in Beit Sahour/Palestine. He has worked with a variety of NGOs world wide and was member of B'Tselem board of directors.