Itineraries

2017-2018. A TRAVÉS DEL MIRALL. VISITA-TALLER A LA COL·LECCIÓ.

DE 3R A 6È DE PRIMÀRIA I EDUCACIÓ ESPECIAL

Recorregut que mostra les obres que formen part de la "Col·lecció MACBA. Sota la superfície" pel curs escolar 2017-2018.

Itinerary by
Educació MACBA
Tags
Educació, Primària, Educació Especial, Col·lecció

A través del mirall és una oportunitat per endinsar-nos amb els alumnes de primària en els significats de veure, mirar i ocultar. Una oportunitat també per explorar la potencialitat de l'art en la configuració de l'experiència educativa dins del museu.

Ens interessa treballar amb la Col·lecció com a espai d’investigació, fabulació i exploració sensorial. Volem aprofundir en aquesta capacitat de l’aprenentatge col·lectiu, crear un «estar amb» els altres per cultivar el pensament. Proposem pràctiques obertes a l’error i el joc, per alliberar la pedagogia i provocar formes diverses d’experimentar la producció del coneixement.

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Content

  • On the one hand the canvas, on the other the mirror, me in the middle. One eye looking at the canvas, the other at the mirror. Staring at the two objects intensely they gradually become superimposed. My mirror image transfers itself to the canvas while remaining in the mirror and the canvas ...

    Data
    1990
    Tipus d'obra
    Installation
  • With his formal training in Fine Art, Aballí’s works evolve rapidly towards a predominance of concept and away from pictorial illusionism. Aballí thus halts image and voids any possibility of fiction. As the artist explains, ‘I started to look for other ways to relate to painting, art in general, ...

    Data
    1998
    Tipus d'obra
    Installation
  • From 1952, Tàpies' work begins moving in the direction of abstraction and the artist engages in a process of experimentation, utilizing new materials such as sand, marble dust and coloured earth, making incisions that suggest grafitti or working on uneven, crumpled surfaces. By 1954, all of the ...

    Data
    1959
    Tipus d'obra
    Painting
  • In an attempt to overcome matter Expressionism and open up new avenues of artistic expression, Lucio Fontana publishes his Manifesto Bianco (White Manifest) in 1946. He develops his theory of Spatialism, which promotes the abolition of the illusory space of painting and its replacement by real ...

    Data
    1957
    Tipus d'obra
    Painting
  • In a social context marked by the existential crisis arising from the horrors of the Second World War, European material experimentation assumed the impossibility of representation. This is the context in which one must set the work of Jean Dubuffet can be situated. Dubuffet incorporated into his ...

    Data
    1953
    Tipus d'obra
    Painting
  • The mirror as an object has been a recurring element in the Western artistic tradition, and has been used by artists such as Jan Van Eyck, Parmigianino, Velázquez, Manet and Magritte, to name a few. But mirrors did not really take on a central role in artistic practices until the twentieth century. ...

    Data
    1965
    Tipus d'obra
    Installation
  • Any incentive to paint is as good as any other. There is no poor subject. Painting is always strongest when in spite of composition, colour, etc.; it appears as a fact, or inevitability, as opposed to a souvenir or arrangement. Painting relates to both art and life. Neither can be made. (I try to ...

    Data
    1972
    Tipus d'obra
    Assamblatge
  • “Pulverize the notion of work. Make, from the notion of work, pigments. / Bind, with linseed oil, the pigments of the notion of work.” Compostatge de nou pintures, compostatge de sis pintures i compostatge d’una pintura amb marc i vidre subjects the physical ingredients of a painting—oil, canvas ...

    Data
    1994
    Tipus d'obra
    Painting
  • In his long relationship with foodstuffs and organic matter as artistic material, Dieter Roth has incorporated such diverse and unusual elements as chocolate, cheese, sugar, birdseed, hamburgers and chips, turning them into pictorial material. He was interested in the process of transformation, the ...

    Data
    1970
    Tipus d'obra
    Object
  • In the large scale installation À chaque stencil une revolution, Latifa Echakhch conjures up the revolutionary spirit that shook Europe and the United States in the sixties. The title of the work is a quote from Yasser Arafat (1929-2004), the first president of the Palestinian National Authority, ...

    Data
    2007
    Tipus d'obra
    Installation
  • In line with the denunciation of social violence that her country of origin has suffered for years, but without giving up the poetic gesture, in 1993 the Colombian artist Doris Salcedo made Atrabiliarios. In this three-part work, the sculptor, interested in making visible the different forms of ...

    Data
    1993
    Tipus d'obra
    Object
  • The representation of time and its traces, the handling of the tracks it leaves on everything around us, the inseparable relation between reality and appearance; the possibility of modelling time, understanding it physically, corporeally, and thee rethinking of terms such as past and future, are ...

    Data
    1994
    Tipus d'obra
    Installation
  • Known for her Post-Minimalist sculptures that are close to industrial design and modern architecture, Rita McBride takes visible but almost anonymous elements from the urban landscape in order to interpret their dimensions and materials. Pipes, air-conditioning systems and public seating are ...

    Data
    2001
    Tipus d'obra
    Installation
  • Sigalit Landau built these three installations in the context of the exhibition held at the Capella MACBA in 2014. While initially they formed one work with the title Yotam, the artist decided to fragment this into three parts: Yotam, Nir and Angel. The titles are a tribute to some of the people ...

    Data
    2014
    Tipus d'obra
    Installation
  • Gregor Schneider began his Haus u r (House u r) project in 1985. The artist has converted the house where he was born in Rheydt, near Cologne, into the axis of his artistic production and field of experimentation. Schneider remodels its various spaces with walls, dead-end corridors, false ceilings, ...

    Data
    1996
    Tipus d'obra
    Photograph